Arthur Clarke Itaalian

Blending the literate and expressive lyrical style of a classic singer/songwriter with music rooted in indie rock, Joseph Arthur is a well-respected songwriter and performer whose work has impressed critics as well as artists such as Peter Gabriel and Michael Stipe. Arthur's original goal was to become a hotshot bass player, but exposure to Bob Dylan and Kurt Cobain prompted him to take up songwriting, and in 1996, he self-released an EP that made its way to Peter Gabriel, who signed Arthur to his Real World label. 1997's challenging Big City Secrets and 2000's rootsy Come to Where I'm From impressed critics and discriminating listeners, and 2004's Our Shadows Will Remain found him digging even deeper into his confessional tales. With 2007's Let's Just Be, Arthur launched his own record label, Lonely Astronaut, giving him greater control over his music as he recorded idiosyncratic projects such as 2013's The Ballad of Boogie Christ and 2014's Lou (the latter a collection of Lou Reed covers).

Grumiaux and Haskil were close friends and long-time playing partners. This collaborative relationship lasted until a few days before Haskil's death. Their duet gained wide popularity among music lovers through numerous published recordings. This concert in Besançon in 1957 is a legend. The first publication in the world spans time and space with beautiful sound quality, allowing us to immerse ourselves in this happiness.

Arthur Brown was one of the prime movers behind the Progressive underground in late 1960s England, famous for his outlandish stage act which included psychedelic robes and a helmet of fire!
Digitally remastered two-fer containing a pair of albums from the British Rock icon. "Requiem" is an end-of-the-world concept album that comes on with a bang, not a whimper, and may well be the best thing that Arthur Brown has ever done! It's got all of the sonic excess you'd expect from the man who gave US 'Fire', but Brown's ornate Art-Rock tendencies are invariably backed up with enough visceral punch to make them marvelously affecting, not merely affected, while producer Earl Mankey handles the electronics well enough to maintain an unusually high level of interest and detail…

On Parenthesis, I, Josienne Clarke has not only embraced her past but has also redefined herself in the present, presenting a body of work that is shimmering, warm, intimate, and at times, profoundly heart-wrenching. Throughout her career, Clarke has been both a Rough Trade-signed artist and a BBC Radio 2 Folk Award-winner, two opposing poles that neatly sum up her inability to be pigeonholed. Parenthesis, I is a masterful journey through her personal and musical evolution, drawing influence from folk greats Nick Drake and Sandy Denny, as well as more contemporary artists like Julia Jacklin, Courtney Marie Andrews, Anaïs Mitchell and Lucy Dacus.

Esoteric Recordings are pleased to release the classic lost album by The Crazy World of Arthur Brown, Strangelands. Recorded in the Autumn of 1969, the sessions were an attempt to resurrect the Crazy World by Arthur Brown and featured some classic material. Divided into four sub-headings, (The Country, The City, The Cosmos and The Afterlife), Strangelands was certainly ahead of its time but failed to gain a full release for nearly two decades. In hindsight, the material can be seen as the blueprint for Arthur s next project, the innovative Kingdom Come.
This Esoteric Recordings reissue also adds the legendary Replicas sessions by Rustic Hinge. Featuring Crazy World drummer Drachan Theaker and guitarist Andy Rickell, the project was originally intended to feature Arthur Brown as vocalist and also featured the legendary High Tide guesting on one track…

Arthur Grumiaux and Walter Klien offer playing with spring in its step and a lyrical yet unsentimental warmth in the slow movements, though that of K296 might with advantage have lingered a little more. These are stylish artists who are also eloquent in the unusually wistful Andante con moto of K380 … Perhaps a touchstone for Grumiaux's qualities is the great slow movement of K454, where he is sensitive to the extraordinary harmonic design and yet over-reliant on the same tricks of tone-colour to project it.

Arthur Grumiaux and Walter Klien offer playing with spring in its step and a lyrical yet unsentimental warmth in the slow movements, though that of K296 might with advantage have lingered a little more. These are stylish artists who are also eloquent in the unusually wistful Andante con moto of K380 … Perhaps a touchstone for Grumiaux's qualities is the great slow movement of K454, where he is sensitive to the extraordinary harmonic design and yet over-reliant on the same tricks of tone-colour to project it.

The Crazy World of Arthur Brown are an English psychedelic rock band formed by singer Arthur Brown in 1967. The original band included Vincent Crane (Hammond organ and piano), Drachen Theaker (drums), and Nick Greenwood (bass). This early incarnation were noted for Crane's organ and brass arrangements and Brown's voice and the burning helmet he used to wear during live shows.