Grumiaux and Haskil were close friends and long-time playing partners. This collaborative relationship lasted until a few days before Haskil's death. Their duet gained wide popularity among music lovers through numerous published recordings. This concert in Besançon in 1957 is a legend. The first publication in the world spans time and space with beautiful sound quality, allowing us to immerse ourselves in this happiness.
Among musicians, Arthur Alexander was always considered one of the greatest R&B songwriters. Both the Beatles and the Rolling Stones covered his songs, "Anna (Go to Him)" and "You Better Move On," respectively, early in their careers. But they weren't the only ones – throughout the years, his work was rich source material for many blues, soul, rock, and country artists. He may have earned the recognition of his peers, but he remained relatively unknown to the general public, right up to his death in 1993. In order to raise his profile, Razor & Tie released Adios Amigo: A Tribute to Arthur Alexander in 1994, assembling a stellar and diverse lineup to record new versions of his songs. The diversity and the fresh arrangements illustrates the depth of Alexander's songs and how well they lent themselves to new readings. Like any tribute album, Adios Amigo is uneven, with a few tracks falling flat, but the best moments – Elvis Costello's "Sally Sue Brown," Robert Plant's "If It's Really Got to Be This Way," Chuck Jackson's "You Better Move On," Frank Black's "Old John Amos," John Prine's "Lonely Just Like Me," Gary U.S. Bonds' "Genie in the Jug," Graham Parker's "Every Day I Have to Cry" and Nick Lowe's "In the Middle of It All" – are affectionate salutes to a departed master, and they're damn enjoyable in their own right as well.
The Crazy World of Arthur Brown are an English psychedelic rock band formed by singer Arthur Brown in 1967. The original band included Vincent Crane (Hammond organ and piano), Drachen Theaker (drums), and Nick Greenwood (bass). This early incarnation were noted for Crane's organ and brass arrangements and Brown's voice and the burning helmet he used to wear during live shows.
Firma Melodiya presents a recording of two-piano transcriptions by Franz Liszt and Camille Saint-Saëns performed by the piano duet of Ludmila Berlinskaya and Arthur Ancelle. Representatives of famous artistic dynasties and alumni of different music performing traditions, they began to jointly perform in 2011 and have won the listeners’ hearts in Russia, France and Switzerland.
Bliss: The Decca Originals: a new collection of Decca recordings of Blisss music, including tracks previously unreleased on Decca CD as well as the complete version of the Violin Concerto with Alfredo Campoli. The career of Arthur Bliss was launched in London in the 1920s with provocative ensemble pieces such as Rout, but it was established by the Colour Symphony which Sir Edward Elgar invited him to write for the Three Choirs Festival. Bliss gradually became an establishment figure, appointed Master of the Queens Music in 1953 and a fluent maker of music celebrating Englishness (such as Welcome the Queen, 1954) at a time when notions of national identity were coming under scrutiny as never before.
Throughout a chequered career Arthur Brown has never been one to play by the rules and when the chart topping The Crazy World Of Arthur Brown split nobody knew what the band’s namesake would do next. When he resurfaced several years later it was with the proto-prog, avant-garde Kingdom Come, a band so way out that time is only just catching up. Eternal Messenger: An Anthology 1970-1973 collects the band’s three albums along with a rare jam session and a disc of radio sessions to make the perfect introduction to Arthur Brown’s crazy world…
The terrifyingly entertaining new studio album from God of Hellfire and theatrical rock icon, Arthur Brown! This macabre-themed masterpiece finds Brown joined by a murderer's row of talented collaboraters including The Stooges' James Williamson, Gong's Steve Hillage, Deep Purple drummer Ian Paice, Vanilla Fudge's Mark Stein, Hawkwind co-founder Nik Turner, R&B superstar Shuggie Otis, and so much more! Includes original tracks co-written with producer Alan Davey as well as superb cover versions and a fantastic update of Brown's signature hit "Fire!"
So Arthur Brown's name remains irremediably attached to the late-'60s freakout hit "Fire." So his numerous subsequent albums and projects never eclipsed that one fulgurous shot at stardom. Yet the man kept on going, re-emerging periodically with a new serving of songs. And in all of them remains one element: the voice. That unusually powerful, charismatic voice upon which aging seems to have no hold is what gives Tantric Lover its soul. Beyond the battered-up Summer of Love lyrics and the acoustic guitars, the voice is still a strange attractor and enough reason to turn your ear to this album. That is not to say that Brown's writing doesn't deserve your attention…