Ascending

Elgar’s Violin Concerto has a certain mystique about it independent of the knee-jerk obeisance it has received in the British press. It probably is the longest and most difficult of all Romantic violin concertos, requiring not just great technical facility but great concentration from the soloist and a real partnership of equals with the orchestra. And like all of Elgar’s large orchestral works, it is extremely episodic in construction and liable to fall apart if not handled with a compelling sense of the long line. In reviewing the score while listening to this excellent performance, I was struck by just how fussy Elgar’s indications often are: the constant accelerandos and ritards, and the minute (and impractical) dynamic indications that ask more questions than they sometimes answer. No version, least of all the composer’s own, even attempts to realize them all: it would be impossible without italicizing and sectionalizing the work to death.

Ivo Papasov & His Bulgarian Wedding Band - Orpheus Ascending (1989) {Hannibal Records HNCD1346}
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© 1989 Hannibal Records | HNCD 1346
Jazz / Ethno Jazz / World Music / Bulgaria

A little while before the klezmer explosion of the 90's there was Ivo Papasov and his Bulgarian Wedding Band. More Bulgarian than klezmer per se, this music nonetheless evokes a similar spirit, especially with Papasov's frenetically intense and beautiful clarinet runs and vocalist Maria Karafizieva's impassioned singing. He employs an electric and slightly funky rhythm section which, while arguably diluting the true nature of the music, does serve to make it extremely listener friendly, providing a solid ground for the wilder instrumental forays.

Tasmin Little's 2013 release on Chandos is an exploration of lush and lyrical music for violin and orchestra, composed by the leading British composers of the early 20th century, and it is an album of remarkable depth and beauty. Opening the program is the Concerto for violin & orchestra by E.J. Moeran, which sets the mood for the disc with its long-breathed, melancholy lines and pastoral atmosphere. While this is a technically challenging work that shows Little to her best advantage as a virtuoso, listeners may come away from the piece recalling its sweet ambience more than its flashiness. The same could also be said for Frederick Delius' Légende, Gustav Holst's A Song of the Night, and Ralph Vaughan Williams' The Lark Ascending, all three of which provide tests for the violinist's skills, yet are filled with such gorgeous music that listeners may only remember the general opulence of the scores. Also included are premiere recordings of Roger Turner's arrangements of Edward Elgar's Chanson de matin, Chanson de nuit, and Salut d'amour, which in orchestration, mood, and style fit the rest of the album nicely.

Always Ascending is the upcoming fifth studio album by Scottish indie rock band Franz Ferdinand. It will be released on 9 February 2018 through the Domino Recording Company. It is the band's first non-collaborative album in over four years, following Right Thoughts, Right Words, Right Action (2013). It is also their first album to feature new member Julian Corrie, who joined shortly after the departure of Nick McCarthy.