Ashley Clark

Angaleena Presley follows her critically acclaimed 2015 debut, American Middle Class, with the no-holds-barred 12-track collection Wrangled. Angaleena's ambitious and riveting songwriting punches through each of the co-written tracks. Once again she took a lead chair at the studio's board, co-producing with Oran Thornton (Eric Church, David Nail) and recording close to home at famed "Ronnie's Place" in Nashville. One of the album's many highlights is "Cheer Up Little Darling" - which Angaleena co-wrote with her dear friend Guy Clark. This is the last song completed by Guy before his death and features Shawn Camp playing Guy's No. 10 guitar, which was used to write the song with Guy, and Guy's mandola, which he had been learning to play during the last year of his life. Another spotlight track is "Dreams Don't Come True," written with Pistol Annie sisters, Miranda Lambert and Ashley Monroe. "Only Blood" was written with fellow East Kentuckian, Chris Stapleton and features Morgane Stapleton's unmistakable vocals, while "Good Girl Down" yielded unforgettable moments with the legendary Wanda Jackson.

Oh What a Feeling: A Vital Collection of Canadian Music is a 4-CD box set released in 1996 to celebrate the 25th anniversary of the Juno Awards. A second box set, Oh What a Feeling 2, was released in 2001 to mark the awards' 30th anniversary, and a third set, Oh What a Feeling 3, was released in 2006 for the 35th anniversary. All of the sets feature popular Canadian songs from the 1960s onward. The sets were titled for the song "Oh What a Feeling" by rock band Crowbar. The original 25th anniversary box set peaked at #3 on the Canadian Albums Chart and was certified Diamond in Canada.

On 100 discs (99 CD & 1 DVD), this box presents the complete oeuvre of Trevor Pinnock and The English Concert on Archiv Produktion. Purcell, Vivaldi, Handel, Bach, Haydn and Mozart are the focus of the repertoire. Numerous recordings such as the Brandenburg Concertos, Corelli's Concerti Grossi or the symphonies of William Boyce are among the milestones of recording history. A Bach album from the ensemble's early days is released for the first time on CD, as well as the never-published Dead March from Handel's "Saul". A 184-page booklet with essays by Trevor Pinnock and Jonathan Freeman-Attwood, the director of the Royal Academy of Music, as well as numerous photos and documents complete the extensive portrait.