at a Glance Lead Guitar

Rhino repackaged and re-released five George Duke LPs on Warner Bros. – Snapshot, Illusions, Is Love Enough?, After Hours, and Cool – as a slipcased box set. It's not a bad way to acquire the albums if you don't already own them, but isn't recommended for the casual fan.

Michael Schenker is a legendary figure in rock, one of the most gifted and influential guitarists of all time. His work with Scorpions, UFO and the Michael Schenker Group made him a hero to millions of fans and inspired a generation of musicians, including Steve Harris of Iron Maiden, Kirk Hammett of Metallica, and Slash of Guns N’ Roses. And with Michael Schenker Fest, an ambitious and unorthodox project featuring four singers with whom he has worked since 1979 – Gary Barden, Graham Bonnet, Robin McAuley and Doogie White – the drive to create new music is based on the same ethos that has shaped Schenker’s whole career, ever since he recorded his first album “Lonesome Crow” with the Scorpions in 1970 at age 15.

Aaron Martin’s album "A Room Now Empty" sees him returning to the memory-based recordings of previous albums such as "Almond", "River Water" and "Chautauqua", where layered meanings in the music and titles don’t allow a single clear-cut reading of the music.

The Lounge Lizards - Lounge Lizards (1981) {EG Records EEGCD 8 rel 1990}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 233 Mb | MP3 @320 -> 94 Mb
Full Artwork @ 300 dpi (jpg) -> 21 Mb | 5% repair rar
© 1981, 1990 EG Records | EEGCD 8
Jazz / Post Bop / Modern Creative / Avant-Garde Jazz

One might be forgiven for mistaking the Lounge Lizards' debut album for a traditional jazz release at a glance, what with the two Thelonious Monk covers and the participation of producer Teo Macero (who had previously worked with such heavyweights as Miles Davis, Dave Brubeck and Ella Fitzgerald, to name just a few). No, while there's definitely great respect shown here for the jazz tradition, the members are obviously coming at it from different backgrounds – most especially guitarist Arto Lindsay, whose occasional atonal string scraping owes far more to his experience in New York City's no wave scene than to quote unquote traditional jazz.