What's in a name? If you love mid-'60s folk-rockers the Mamas & the Papas, this four-volume U.K. Complete Anthology (2004) speaks for itself. The 101 selections run in excess of five hours centering on the vintage long-players If You Can Believe Your Eyes and Ears (1966), The Mamas & the Papas (1966), The Mamas & the Papas Deliver (1967), The Papas & the Mamas (1968), People Like Us (1971), and The Monterey International Pop Festival (1971)…
Weighing in at 19 tracks, Repertoire's 2005 collection Ayla: The Best of Flash and the Pan is the most generous compilation yet assembled of Harry Vanda and George Young's impish post-Easybeats new wave creation, Flash and the Pan. Not only is it four tracks longer than the previous best F&P comp, 1994's plainly titled Collection, but it's more carefully assembled too, boasting good liner notes from Chris Welch and eye-catching comic book artwork. If F&P didn't have any other song as immediate or memorable as "Hey St. Peter," their gloriously ridiculous new wave novelty, they did have a number of good oddities and robotic new wave pop before sinking into coldly slick anthemic pop at the end of the decade.
The Animals are an English rhythm and blues and rock band, formed in Newcastle upon Tyne in the early 1960s. The band moved to London upon finding fame in 1964. The Animals were known for their gritty, bluesy sound and deep-voiced frontman Eric Burdon, as exemplified by their signature song and transatlantic No. 1 hit single, "House of the Rising Sun", as well as by hits such as "We Gotta Get Out of This Place", "It's My Life", "I'm Crying" and "Don't Let Me Be Misunderstood". The band balanced tough, rock-edged pop singles against rhythm and blues-orientated album material. They were known in the US as part of the British Invasion.
The Cousins is a guitar group of the late fifties and early sixties who were among the first to successfully export "rock & roll" music from Belgium. Played Shadows-like music and also had a stage act which resembled that of The Shadows. Started off at the end of the fifties as "La Jeune Equipe". Their main occupation was playing at the birthday parties of the rich and noble. They change their name to "Les Cousins" when they were asked to perform in a club with the same name on the 14th of July (French fкte nationale). It's there that the group gets a record contract with Jean Klüger. The cheerful song "Kili-Watch" of 1960 becomes an instant and huge hit. In a few months 50.000 copies are sold, an enormous amount for the Belgian record market at that point. The song is an adaptation of an Indian warsong that bass-player Derese had picked up during his years as a boy-scout.
The Les Humphries Singers was a 1970s musical group formed in Hamburg, Germany in 1969[1] by the English-born Les Humphries (born John Leslie Humphreys, 10 August 1940, in Croydon, Surrey, England - died 26 December 2007, in Basingstoke, Hampshire, England)…
The final installment of the Anthology series has two discs of previously unreleased material from the White Album era through the group's demise in early 1970. In terms of sheer listenability, this may be the strongest volume of the three, if only because it focuses almost solely upon studio recordings rather than mixing live concerts/broadcasts and outtakes…