People call Chicago The Home Of The Blues. It may not be where the blues came from but it s where the blues came to live. It’s the place where Muddy Waters, Howlin’ Wolf and Jimmy Reed laid down the songs that inspired the Rolling Stones and the Yardbirds. The blues was the bedrock on which Jimmy Page created Led Zeppelin, the band that helped to change pop music forever. Chicago was the mecca for Buddy Guy, Otis Rush, Magic Sam, Elmore James and a host of others who arrived in the city to make their fortune. The process had begun decades earlier, when record companies first came to town.
Michel Petrucciani (1981). Michel Petrucciani's second recording (following the obscure Flash, put out by the French Bingow label the previous year) finds the pianist at age 18 already a powerful force. Assisted by bassist J.F. Jenny Clark and drummer Aldo Romano, Petrucciani is more heavily influenced here by Bill Evans than he would be later. The trio performs two originals apiece by the pianist and drummer Romano, plus "Days of Wine and Roses" and a romp on "Cherokee." This CD shows that Petrucciani was a brilliant player from the start…
One of the great things about Bo Diddley, something that often goes unmentioned, is that he was a home-recording pioneer, building his own studio years before any other rocker. The full fruits of this labor can be heard on Ride On: The Chess Masters, Vol. 3 – 1960-1961, Hip-O Select's third installment in their complete Bo Chess/Checker masters and easily the weirdest set yet. All 54 songs here were recorded over the course of 13 months: a whopping 17 them have never been released (an additional seven have never seen release in the U.S.), every one of them was cut in his home studio in Washington DC, and not a one reached the charts.
Pure and simple genius from trumpeter Charlie Shavers – a player with a sweet tone and a fluid groove – stepping out here with great accompaniment from pianist Ray Bryant! The CD brings together work from the albums Charlie Digs Paree and Charlie Digs Dixie – both originally recorded for MGM Records in the late 50s, and done in a clean, uncluttered style that really brought a strong focus to Shaver's solos, but also gave some excellent rhythmic support from Bryant – working here at the height of his early powers, in a mode that's clearly relaxed enough to get with the spirit of each different session.
East is one of the most beloved prog acts from Hungary (if not the most). While the rest of the world was into New Wave, Marillion carried the prog torch for Great Britain and points west. Guitarist János Varga, keyboardist Géza Pálvölgyi, singer Miklós Zareczky, bassist Péter Móczán and percussionist István Király decided to pick up the prog banner for Eastern Europe. In 1981, they released their debut album "Játékok (Games). It was a well-received debut, and is still highly regarded. However, it is the sophomore effort, 1982's "Hüség" (Faith), that seems to capture more hearts. The first two albums were more symphonic inspired, but they felt the need (or perhaps pressure) to pursue a more mainstream approach. This led to replacing lead singer Miklós Zareczky, with József Tisla on "Rések a Falon" (Cracks in the Wall). While the third album is not the darling of prog fans, it was a great commercial success.
"And with this incredibly tight batch of prime 1987 Grateful Dead, we’re thrilled to bring you Dave’s Picks Vol. 36, matching the number that will be forever tied to Dick’s legacy. Thanks for sticking around this long, and for joining us through these past nine years of archival live Grateful Dead releases." - David Lemieux