Audiophill Voices

The celebrated improvising vocal group Trondheim Voices and two of Norway’s most important composer/producers, Helge Sten and Stale Storlokken, explore the boundaries of sound in a series of thirteen other-worldly pieces that act on the ears of the listener like magical invocations to a secret ceremony.

Luminous Voices, based in Calgary, Alberta, releases Sea Dreams – their third full-length album under the artistic direction of Timothy Shantz. Recorded at the Bell Concert Hall at Mount Royal University, Sea Dreams was composed by Peter-Anthony Togni and features guest artists: Jeff Reilly, bass clarinet/ Katie Partridge, soprano / Oliver Munar, tenor / Sarah Hahn-Scinocco & Sarah MacDonald, flute.

You have to admire New York Voices' diversity – this is a jazz vocal group that has embraced everything from modal post-bop and Brazilian jazz to Stevie Wonder pearls. And how many artists have devoted an entire album to jazz interpretations of Paul Simon tunes? Not everything the Voices have recorded is great, but more often than not, their sense of adventure and open-mindedness have served them well. After paying tribute to pop-rocker Simon in 1997, the Voices make big band music the main focus of Sing, Sing, Sing. This time, they are backed by a big band and turn their attention to gems associated with swing icons like Benny Goodman ("Sing, Sing, Sing," "Don't Be That Way"), Duke Ellington ("In A Mellow Tone"), Woody Herman ("Early Autumn"), and Artie Shaw ("Stardust"). Although many of these classics came out of the Swing Era, Sing, Sing, Sing also has its share of post-World War II gems. Ralph Burns' lovely "Early Autumn" is a gem that Herman recorded in 1948, when he was exploring bop with his Second Herd and the Four Brothers. And "Orange Colored Sky," which was a major hit for Nat "King" Cole in 1950, is quite relevant to the CD's big band theme because Cole recorded it with the Stan Kenton Orchestra.

Tremblers And Goggles By Rank marks a new phase in Robert Pollard’s songwriting evolution. His songs have always included non-traditional approaches to form and song structure, but with this album, he has pushed it further than ever. While the familiar Guided By Voices pop-craft and melodic virtuosity always occupies center stage, the first-time listener will never be able to predict what’s coming next in a song.

James Jordan writes: “I think when life challenges us, our common human tendency is to look toward the stars for wisdom and answers, for the abundances and peace that sometimes one’s focus toward the heavens brings to us. Looking toward the stars and the heavens often clears our vision so we can feel authentically with our hearts. Carols during Advent and Christmastime seem to also embody that spirit of mystical searching for hope and wonder. And perhaps there is no better musical spiritual entry point for all of this than chant. So, this recording leads you musically through the journey, from simple chant to stories in the carols. And all of the music on the album reflects our hope for the future as we climb a crooked ladder leading to, hopefully, a brighter new time for our beloved Westminster college, and our lives beyond the pandemic. Our desire is to see a glimmer of light behind what seems a very closed door. This album offers music for personal reflection, with the hope that these sounds can provide for each of us “scattered” new light.”

The most successful British girl group in pop history, Bananarama formed in London in late 1981. Drawing equal inspiration for their name from the children's television program The Banana Splits and the Roxy Music song "Pyjamarama," the trio was comprised of lifelong friends Keren Woodward and Sarah Dallin along with Siobhan Fahey, whom Dallin befriended at the London College of Fashion…

Styles We Paid For is Guided By Voices’ third album of 2020 and it stands as a testament to this Year In Isolation, reflecting these dark days through Robert Pollard’s prism, with the band sounding as confident and authoritative as ever. The fifteen tracks were recorded remotely during quarantine from five states (Ohio, New York, New Jersey, Virginia, Tennessee) to comprise GBV’s ninth album since 2017.