Baby Got Back

Baby was an American southern rock band from Texas, from 1970 to 1977. The band created its own company Baby Enterprises, Inc., based in Amarillo, Texas, to take care of the range of interests a musical group has. One of its branches was Lone Starr Records to which Baby signed itself in the mid-1970s. Baby had a legion of fans in the Midwest and South in 1975-76 and headlined venues like the famed Surf Ballroom in Clear Lake, Iowa while generating regional radio airplay on the band's first single, (It's Another) Saturday Night.

Unlike other labels subjected to exhaustive multi-disc retrospectives like this whopping ten-disc Revolutions in Sound: Warner Bros. Records – The First Fifty Years, Warner Brothers never embodied a scene or sound: they've always embodied what a major label should be – a dominant force that chronicles and dictates the sound of the mainstream. Coming out at the tail-end of 2008, when the influence of major labels is on a slow steady decline, Revolutions in Sound can be seen as a portrait of a time that's beginning to recede into the past: a time when there was such a thing as mass entertainment, when the pop audience all shared a common bond of hit records they either loved or rallied against. Perhaps the greatest things about this monumental box set is that it captures that colossus while also illustrating that for a while, majors did take risks. Of course, Warner was the riskiest of all the majors, never held back by an anti-rock & roll sourpuss like Mitch Miller, who struggled to keep CBS out of the tumult of the '60s (this with no less than Bob Dylan as the label's flagship rock artist). Instead, Warner embraced the underground, recording some of the strangest to shake out of the '60s, and that adventure fits a label that turned to rock & roll to help establish themselves as a real player at the turn of the '60s.

Multi-platinum recording artist Joe Nichols is one of country music's most praised traditional country artists. "Never Gets Old" is his first new release in four years.

This is a collection of songs referring to the female rear-end, created with songs from the rap, hip-hop, R&B, and dance genres of the 1990's. If you like to wiggle it, jiggle it, finger it, or just admire from afar, this is for you. Both discs, which were sold individually, are downloadable as one file with the FLAC file in two parts. While the cover and songs are sexual in tone, all of the songs are "radio friendly"/clean mixes.

Enjoy this Compilation with the most successful NOW Thats What I Call Music! Forever 90s singers like Britney Spears, Nirvana, Lenny Kravitz and many more!

The K-Tel of hip-hop released another compilation album in 1994. It is called Straight From Da Streets Volume 1 and as the title suggests, these songs are straight out of the hood sections of some neighborhoods, telling listeners about the school of hard knocks. This is a Priority Records project.

For 20 years, Joe Nichols has made a career out of writing sweet and simple country songs that tug at your heartstrings. And he’s right, they just don’t get old. That’s because Nichols never runs out of poignant ways to serenade his lady—on this album, he compares her to a perfect melody, a summer night, and heaven on Earth—in a way that makes him sound like a humble, helpless romantic. Case in point: “If I was a Beatle, I’d sing about yesterday/If I was James Taylor I’d sing about fire and rain/If I was Elvis, I’d sing about by my shoes/But since I’m just me, I’ll sing about you.”

Rap All Stars is a 3CD hip-hop compilation combining a bit of the old school with a hint of the modern crunk. This was released by Universal Music On Demand.