Bach Hewett

Daniel Hope - Spheres (2013)  Music

Posted by Designol at Sept. 3, 2023
Daniel Hope - Spheres (2013)

Daniel Hope - Spheres (2013)
Ludovico Einaudi, Philip Glass, Johann Paul von Westhoff, Gabriel Fauré, Lera Auerbach
Arvo Pärt, Elena Kats-Chernin, Alex Baranowski, Gabriel Prokofiev, Aleksey Igudesman
Max Richter, Karl Jenkins, Johann Sebastian Bach, Michael Nyman, Karsten Gundermann
Daniel Hope (violin); Jacques Ammon (piano); Members of the Rundfunkchor Berlin
Deutsches Kammerorchester Berlin; Simon Halsey, conductor

EAC | FLAC | Image (Cue&Log) ~ 304 Mb | Mp3 (CBR320) ~ 172 Mb | Scans ~ 44 Mb | 01:14:48
Classical, Contemporary, Minimalism | Label: Deutsche Grammophon | # 479 0571

Award-winning violinist Daniel Hope presents an eclectic and accessible mix of neo-Baroque, minimalist and soundtrack favourites, including works and arrangements by contemporary masters like Ludovico Einaudi, Arvo Pärt, Karl Jenkins, Max Richter, Gabriel Prokofiev, Alex Baranowski and many more. “Spheres” features a curated collection of repertoire celebrating the idea, first brought forward by Pythagoras, that planetary movement creates its own kind of music, bringing beauty, harmony and simplicity to our complex solar system. This idea has fascinated philosophers, musicians, and mathematicians for centuries. Featured as main soloist on Max Richter’s acclaimed “Vivaldi Recomposed”, Hope is known for an effortless classical sound and intriguing approach to repertoire. Music of reflection, contemplation and relaxation.
Thomas Zehetmair - Niccolò Paganini: 24 Capricci Per Violino Solo, Op.1 (2009/2017) [Official Digital Download 24/96]

Thomas Zehetmair - Niccolò Paganini: 24 Capricci Per Violino Solo, Op.1 (2009/2017)
FLAC (tracks) 24-bit/96 kHz | Time - 67:02 minutes | 1.13 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Thomas Zehetmair’s manually overwhelming and thought-provoking ECM recording of the complete sonatas for unaccompanied violin by Eugène Ysaÿe – released in 2004 to great critical acclaim – offered ample proof that alleged virtuoso pyrotechnics can be surprinsingly multi-faceted and complex when approached by a musician with a rare awareness of stylistic layers and expressive traditions.