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Bach Sacd

Yo-Yo Ma - Classic Yo-Yo Ma (2001) [Reissue 2016] SACD ISO + Hi-Res FLAC

Yo-Yo Ma - Classic Yo-Yo (2001) [Reissue 2016]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 69:27 minutes | Scans NOT included | 1,79 GB
or FLAC 2.0 (converted with foobar2000 to tracks) 24bit/48 kHz | Front, Scans NOT included | 729 MB
Sony Music Hong Kong (SACD Reissue)

Classic Yo-Yo is a greatest-hits collection for the famous Yo-Yo Ma, something he's fully entitled to after two decades of runaway success. It's "Classic Yo-Yo" in the sense that it presents well-loved and presumably durable selections from a variety of Yo-Yo Ma albums, not because it inclines toward Ma's straight-ahead classical recordings. In fact the division between classical and crossover pieces on the disc is about 50/50, and they tend to alternate. The transition from Bach to Astor Piazzolla works OK, but that from Appalachian Journey mastermind Edgar Meyer to Brahms might be a bit jarring. A greatest-hits album is a tough item for Ma because his recordings are so different from one another and involve such a variety of other musicians. As Ma himself says in an interview included in the liner material, "Collaboration is the best part of what I do, it's what I enjoy most about being a musician".
Masaaki Suzuki, Bach Collegium Japan - W.A. Mozart: Great Mass in C minor (2016) MCH SACD ISO + Hi-Res FLAC

Masaaki Suzuki, Bach Collegium Japan - Mozart: Great Mass in C minor / Exsultate, Jubilate (2016)
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 71:17 minutes | PDF Booklet | 3,5 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | PDF Booklet | 1,52 GB
Features Stereo and Multichannel Surround Sound | BIS Records AB # BIS-2171 SACD

As the mysterious opening bars of the Kyrie gradually emerge into the light, we know that this recording of Mozart’s glorious Great Mass in C minor is a special one: the tempi perfect, the unfolding drama of the choral writing so carefully judged, and, above it all, the crystalline beauty of soloist Carolyn Sampson’s soprano, floating like a ministering angel. Masaaki Suzuki’s meticulous attention to detail, so rewarding in his remarkable Bach recordings, shines throughout this disc, the playing alert, the choir responsive, the soloists thrilling. And there is the bonus of an exhilarating Exsultate, Jubilate with Sampson on top form.
Nathan Milstein - JS Bach: Sonatas and Partitas for Solo Violin BWV 1001-1006 (1975) [Japan 2017] SACD ISO + Hi-Res FLAC

Nathan Milstein - JS Bach: Sonatas and Partitas for Solo Violin BWV 1001-1006 (1975) [Japan 2017]
SACD Rip | 2x SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 125:44 minutes | Some Scans included | 3,45 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Some Scans included | 2,98 GB

The late Nathan Milstein’s 1973 stereo remake (of his mid-Fifties New York recordings) was his own preferred version of these pillars of the violin repertoire with which he had been so associated since his youth in Odessa. These are epic virtuoso performances justifying Milstein’s view that with this music the performer could "bask in the most glamorous light". Stylistically, purists will object to their expressive liberty and gesture. But few will be able to resist their artistry or intensity of delivery. This album won Grammy in Best Classical Instrumental Solo Recording category (1975).
Rachel Podger, Brecon Baroque - J.S. Bach: Die Kunst der Fuge (2016) MCH SACD ISO + Hi-Res FLAC

Rachel Podger, Brecon Baroque - JS Bach: The Art Of Fugue, BWV1080 (2016)
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 70:28 minutes | Covers + PDF Booklet | 3,58 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Covers + Digital Booklet | 1,52 GB
Features Stereo and Multichannel Surround Sound | Channel Classics # CCS SA 38316

Rachel Podger has been recording and performing Bach's music for violin to critical acclaim for over two decades. In 2015 she became the tenth (and first female) recipient of the Royal Academy of Music Bach Prize. On this release she leads her own ensemble, Brecon Baroque, in JS Bach's monumental Art of Fugue (Die Kunst der Fuge). Bach's The Art of Fugue, BWV 1080, broken off at the end by the composer's death, was written out in open score, with no indication of instrumentation. This has given rise over the years to a variety of instrumental realizations, with keyboard performances being the most common, but string orchestra, or wind versions, and so forth, are also often essayed.

Flute Ensemble LYNX - Flute (2007) MCH SACD ISO + Hi-Res FLAC  Vinyl & HR

Posted by HDAtall at July 3, 2019
Flute Ensemble LYNX - Flute (2007) MCH SACD ISO + Hi-Res FLAC

LYNX - Flute (2007)
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 68:29 minutes | Scans included | 3,61 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Scans included | 1,46 GB
Features Stereo and Multichannel Surround Sound | Saidera Records / Omagatoki Japan # OMCA-1060
Bach Collegium Japan, Masaaki Suzuki - Johann Sebastian Bach: Lutheran Masses, Vol. 1 (2015) [Re-Up]

Bach Collegium Japan, Masaaki Suzuki - Johann Sebastian Bach: Lutheran Masses, Vol. 1 (2015)
EAC | FLAC | Image (Cue&Log) ~ 319 Mb | Mp3 (CBR320) ~ 150 Mb | Scans ~ 41 Mb
Genre: Classical, Choral | Label: BIS | # BIS-2081 | Time: 01:05:30

The Reformations fundamental alterations to traditional forms of church service, had, by Bach's time, resulted in German churches Latin yielding to the country's own language. To a limited extent, however, the Latin mass text did remain in use in the Protestant church in particular the Kyrie and Gloria sections. Termed Missa to differentiate them from complete settings, these pieces are often referred to now as 'Lutheran Masses'. Bach's famous Mass in B minor began its existence as a work of this type, and four other examples from Bach's pen have survived. Newly performed and recorded by Bach Collegium Japan under the direction of Masaaki Suzuki, the Missae BWV 235 and 236 are here combined with four separate settings of the Sanctus. Two of these are original works, whereas BWV 241, and possibly also 240, is an arrangement of another composers setting. The 'KyrieChriste' BWV Anh 26 is an example of how Bach used music by other composers, in this case by his Neapolitan contemporary Francesco Durante.
Martha Argerich - Live From Concertgebouw 78-79: Bасh/Bartok/Chopin (1999) [Japan 2011] SACD ISO + Hi-Res FLAC

Martha Argerich - Live From Concertgebouw 78-79: Bасh /
Bartók/Chopin/Ginastera/Prokofiev/Scarlatti (1999) [Japan 2011]

SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 72:33 minutes | Basic Covers | 2,01 GB
or FLAC (converted with foobar2000 to tracks) 24bit/88,2 kHz | Covers | 1,36 GB

Throughout her lengthy artistic career, pianist Martha Argerich has experienced many heights & depths: moments of "crisis" in which she hasn't always seemed prepared to offer the full extent of her artistic insights, but also many, many times when she has managed simultaneously to come into her own & to completely lose herself in music-making. Fortunately it's the latter snapshot of Argerich's career that this CD captures, drawing from 2 live recitals Argerich gave at Amsterdam's Concertgebouw in 1978 & 1979.
Jacques Loussier Trio - The Best Of Play Bach (2004) MCH PS3 ISO + Hi-Res FLAC

Jacques Loussier Trio - The Best Of Play Bach (2004)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 60:05 minutes | Scans included | 3,71 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,19 GB
Features Stereo and Multichannel Surround Sound | Label: Telarc # SACD 63590

Jacques Loussier came up with his Play Bach jazz conceptions while still in the conservatory around 1950. He started recording them in 1959, and he's been at it ever since, adapting other classical composers along the way, but always returning to Bach. It made sense then, and it makes sense now, for Bach's linear, continuo-driven, contrapuntal style has always implied a swinging pulse; even some inspired, if strictly score-bound classical recordings of Bach sound as if they are poised for takeoff.
Masaaki Suzuki - Johann Sebastian Bach: Organ Works (2015) [Re-Up]

Masaaki Suzuki - Johann Sebastian Bach: Organ Works (2015)
EAC | FLAC | Image (Cue&Log) ~ 370 Mb | Mp3 (CBR320) ~ 185 Mb | Scans included
Genre: Classical | Label: BIS | # BIS-SACD-2111 | Time: 01:19:26

For this hybrid SACD of famous organ works by J.S. Bach, Masaaki Suzuki plays the restored Schnitger-Hinz organ in the Martinikerk (Martin's Church), in Groningen, one of the most celebrated instruments in the Netherlands and one which dates back to Bach's time. Its bright, Baroque sonorities and Suzuki's historically informed interpretations give these performances a compelling sense of authenticity and period style. The pieces are among Bach's greatest hits, particularly the Toccata and Fugue in D minor, which gives the program a decisive opening. Following that flashy demonstration, Suzuki is relaxed and almost contemplative in the Pastorale in F major, and continues his thoughtful readings in the Partita on "O Gott, du frommer Gott," the Prelude and Fugue in G minor, and the Canonic Variations on "Vom Himmel hoch da komm' ich her." Yet he includes two sparkling virtuoso performances in the Fantasia in G major and the Prelude and Fugue in E minor, which keep the album from being too soft and subdued. BIS' super audio sound is crisp and detailed, which is no mean feat in a church recording.
Dr. Teleny's & Ettore Stratta - Stolen Goods & Viva Vivaldi (1972 & 1974) [Reissue 2019] MCH SACD ISO + Hi-Res FLAC

Dr Teleny's Incredible Plugged In Orchestra/Ettore Stratta - Stolen Goods/Viva Vivaldi! (1968 & 1970) [Reissue 2019]
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 66:20 minutes | Scans included | 3,28 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 1,65 GB
2 LP on 1 SACD | Features Stereo and Quadrophonic Surround Sound | Vocalion # CDSML 8552

A pair of very unusual albums – back to back on a single SACD! "Stolen Goods" is a totally cool, totally groovy album from the 70s – one that features large orchestral arrangements of themes from the classics – but all augmented with plenty of wild contemporary touches. Next up is "Viva Vivaldi", served up by Italian conductor Ettore Stratta – who you'll know from both sound track and easy instrumental modes – getting a lot of hip help here from arranger Chico O'Farrill.