Bach Trnitatis

Ricercar Consort, Philippe Pierlot - J.S. Bach - In Tempore Nativitatis: Christmas Cantatas BWV 110, 151, 63 (2013)

Johann Sebastian Bach - In Tempore Nativitatis: Christmas Cantatas BWV 110, 151, 63 (2013)
Maria Keohane (soprano), Carlos Mena (alto), Julian Pregardien (tenor), Stephan MacLeod (bass)
Ricercar Consort; Philippe Pierlot, direction

EAC | FLAC | Image (Cue&Log) ~ 355 Mb | Mp3 (CBR320) ~ 171 Mb | Scans included
Classical, Choral, Sacred | Label: Mirare | # MIR243 | Time: 01:07:54

Just in time for Christmas, Philippe Pierlot and the Ricercar Consort present a collection of Cantatas for the season by Johann Sebastian Bach. In these evergreen holiday favorites, flutes, oboes, trumpets, timpani and voices are used to express the comfort and joy inspired by the Nativity. The result is nothing short of magical. The Ricercar Consort was founded in 1980 by harpsichordist and director Philippe Pierlot. They have made a significant discography, especially on the Mirare label, where their recordings have met with consistent acclaim and respect, in particular for their exceptional Bach Magnificat.
Henrik Dam Thomsen - Johann Sebastian Bach: Six Suites for Cello Solo (2024)

Henrik Dam Thomsen - Johann Sebastian Bach: Six Suites for Cello Solo (2024)
EAC | FLAC | Image (Cue & Log) ~ 685 Mb | Total time: 02:13:53 | Scans included
Classical | Label: OUR Recordings | # 8.226921-22 | Recorded: 2024

Nobody knows why Johann Sebastian Bach composed his six suites for solo cello. Nor does anybody know how it came about that the suites were soon afterwards consigned to oblivion and more than a century before a 13-year-old Spanish musical prodigy discovered a worn copy of the score in a second-hand bookstore store in Barcelona. For the next 11 years Pablo Casals practiced them every day. Finally, in 1936, he entered London’s Abbey Road studios to record the second and third suites for the first time. The rest, as they say, is history. Today, Bach’s cello suites have become a rite of passage for all aspiring cellists.
Hermann Max, Rheinische Kantorei - Johann Sebastian Bach: Motets, BWV 225-230 & Anh.159 (2012)

Hermann Max, Rheinische Kantorei - Johann Sebastian Bach: Motets, BWV 225-230 & Anh.159 (2012)
EAC | FLAC | Image (Cue & Log) ~ 336 Mb | Total time: 63:11 | Scans included
Classical | Label: CPO | 777 807-2 | Recorded: 2012

Hermann Max and the Rheinische Kantorei set out on new paths toward the interpretation of Bach's motet cosmos. The present CD also includes the Motets BWV Anh. 159 because Bach scholarship has come to regard these works, long ascribed to Johann Christian Bach, as compositions by Johann Sebastian Bach as they clearly bear his musical signature.
Erik Feller - Carl Philipp Emanuel Bach: Les six Sonates pour orgue (2004)

Erik Feller - Carl Philipp Emanuel Bach: Les six Sonates pour orgue (2004)
EAC | FLAC | Image (Cue & Log) ~ 331 Mb | Total time: 66:55 | Scans included
Classical | Label: Arion | # ARN 68642 | Recorded: 2003

Like his older brother Wilhelm Friedemann, Carl Philipp Emanuel Bach received his musical training from the most exacting of teachers, and there is no doubt that, with the experience of the Trio sonatas for organ and Das wohltemperierte Clavier, both became admirable keyboard players.
Orchester der J.S. Bach-Stiftung & Rudolf Lutz - Bach im Fluss (2022)

Orchester der J.S. Bach-Stiftung & Rudolf Lutz - Bach im Fluss (2022)
WEB FLAC (tracks) - 259 Mb | MP3 CBR 320 kbps - 118 Mb | Digital booklet | 00:50:44
Classical, Vocal | Label: J.S. Bach-Stiftung

Bach im Fluss is a thematic collage of selected movements from cantatas and instrumental works compiled by Arthur Godel and Rudolf Lutz.
Anton Batagov - Johann Sebastian Bach: Die Kunst der Fuge (The Art of the Fugue) (1993) 2CDs

Anton Batagov - Johann Sebastian Bach: Die Kunst der Fuge (1993) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 462 Mb | Mp3 (CBR320) ~ 346 Mb | Scans included
Genre: Classical | Label: SoLid Records | # SLR 0001/2 | Time: 02:28:01

The Russian composer, pianist and electronic musician, Anton Batagov, graduated from the Gnessin School and the Moscow Tchaikovsky Conservatory. He was prize-winner at the International Tchaikovsky Competition (1986) and other competitions. Anton Batagov introduced the music by John Cage, Morton Feldman, Steve Reich, and Philip Glass to Russian audiences. His discographical debut was a recording of Olivier Messiaen's Vingt regards sur l'Enfant Jesus for Melodiya. From 1989 to 1996 he was one of the leaders and organizers of the Alternativa, the annual international new music festival in Moscow. Heralded as “one of the most significant and unusual figures of Russian contemporary music” (Newsweek, Russian edition, 1997) and "a Russian Terry Riley" (Mark Swed, Los Angeles Times, 2008), Anton Batagov is one of the most influential Russian composers and performers of our time. The well-known American musicologist Richard Kostelanetz characterized Batagov's 1993 piano recording of J.S. Bach’s The Art of the Fugue (BWV 1080) as "the most stunning interpretation of Bach since Glenn Gould".
Orchester der J.S. Bach-Stiftung & Rudolf Lutz - Bach im Fluss (2022) [Official Digital Download 24/48]

Orchester der J.S. Bach-Stiftung & Rudolf Lutz - Bach im Fluss (2022)
FLAC (tracks) 24-bit/48 kHz | Front Cover & Digital Booklet | Time - 50:44 minutes | 555 MB
Classical, Vocal | Label: J.S. Bach-Stiftung, Official Digital Download

Bach im Fluss is a thematic collage of selected movements from cantatas and instrumental works compiled by Arthur Godel and Rudolf Lutz.
Leila Schayegh, Jorg Halubek - Johann Sebastian Bach - Sei Suonate a Cembalo certato e Violino Solo, BWV 1014-1019 (2016)

Leila Schayegh, Jörg Halubek - J.S. Bach: Sonatas for Violin & Harpsichord (2016)
EAC | FLAC | Image (Cue&Log) ~ 580 Mb | Mp3 (CBR320) ~ 225 Mb | Scans included
Genre: Classical | Label: Glossa | # GCD 923507 | Time: 01:34:52

Two rising stars in today’s firmament of Baroque music performance, Leila Schayegh and Jörg Halubek, join forces to record one of the major challenges in their joint repertory: the six Bach Violin Sonatas, BWV 1014-1019. The collection’s title, 'Sei Suonate à Cembalo certato è Violino Solo', reflects the close partnership demanded of the violin and harpsichord players, with Bach moving away from the idea of continuo support for a solo instrument and constantly making new technical demands on the musicians and thereby approaching the concept of the triosonata. Completed by around 1725, most of these richly characterful works combine the Italian style and a cantabile tone with elements of German contrapuntal style. The artistic partnership of Schayegh and Halubek, now in its tenth year, has seen them record chamber music by Jean-Marie Leclair, CPE Bach and Giovanni Mossi but the Bach Violin Sonatas represents their first joint recording for Glossa.
Diego Fasolis, I Barocchisti - Johann Sebastian Bach: Brandenburgische Konzerte BWV1046-1051 & Tripelkonzert BWV1044 (2006)

Diego Fasolis, I Barocchisti - Johann Sebastian Bach: Brandenburgische Konzerte BWV1046-1051 & Tripelkonzert BWV1044 (2006)
EAC | APE | Image (Cue & Log) ~ 580 Mb | Total time: 51:51+54:28 | Scans included
Classical | Label: Arts | # 47715/16 | Recorded: 2006

Among the current sensations of the historical-performance scene is I Barocchisti, from Italian Switzerland, and its director and harpsichordist Diego Fasolis. The group released performances of Bach's six Brandenburg Concertos on a pair of discs, with the second disc also containing the Concerto for flute, violin, harpsichord, strings, and continuo in A minor, BWV 1044. Whatever may be said for breaking up the set in other situations, this radical approach is best appreciated as a whole. Part of the charm of these classic works is their differentiation, somewhat obscured in modern performances (and even in some on historical instruments) that use a large string section.
Bach Collegium Japan, Masaaki Suzuki - Johann Sebastian Bach: Lutheran Masses, Vol. 1 (2015)

Bach Collegium Japan, Masaaki Suzuki - Johann Sebastian Bach: Lutheran Masses, Vol. 1 (2015)
EAC | FLAC | Image (Cue&Log) ~ 319 Mb | Mp3 (CBR320) ~ 150 Mb | Scans ~ 41 Mb
Genre: Classical, Choral | Label: BIS | # BIS-2081 | Time: 01:05:30

The Reformations fundamental alterations to traditional forms of church service, had, by Bach's time, resulted in German churches Latin yielding to the country's own language. To a limited extent, however, the Latin mass text did remain in use in the Protestant church in particular the Kyrie and Gloria sections. Termed Missa to differentiate them from complete settings, these pieces are often referred to now as 'Lutheran Masses'. Bach's famous Mass in B minor began its existence as a work of this type, and four other examples from Bach's pen have survived. Newly performed and recorded by Bach Collegium Japan under the direction of Masaaki Suzuki, the Missae BWV 235 and 236 are here combined with four separate settings of the Sanctus. Two of these are original works, whereas BWV 241, and possibly also 240, is an arrangement of another composers setting. The 'KyrieChriste' BWV Anh 26 is an example of how Bach used music by other composers, in this case by his Neapolitan contemporary Francesco Durante.