Barbara Scher

The violinist Thomas Albertus Irnberger, the cellist David Geringas and the pianist Barbara Moser play piano trios by female composers of the 19th and 20th centuries. Amy Marcy Beach artfully combines French modernity with late romantic and American folklore elements in her trio from 1938, Sonia Eckhardt-Gramatté's work "Ein wenig Musik" (A Piece of Music) impresses with originality, melodious ideas and diverse rhythmic components, Louise Farrenc's trio from 1857 shows that she was a contemporary of early Romanticism, but also dealt with Ancient music, Mélanie Hélène Bonis' pieces for piano trio "Soir" and "Matin" were created in 1907 and reflect the different moods of a day, while Julia Frances Smith's Cornwall Trio from 1966 expresses the funny, playful energy of the gifted composer that she was.

Singer Barbara Lea often recalls her idol and friend Lee Wiley on this set of love songs. The backup is uniformly tasteful but changes from song to song with such impressive stylists as trumpeter Johnny Windhurst, baritonist Ernie Caceres, Garvin Bushell (on oboe and bassoon), Dick Cary (the arranger on piano and alto horn), guitarist Jimmy Raney and (on a beautiful version of "True Love") harpist Adele Girard making memorable appearances. Lea's straightforward and heartfelt delivery is heard at its best on such songs as "You'd Be So Nice to Come Home To," "Mountain Greenery," "More than You Know" and "Autumn Leaves" (which is partly taken in French). These interpretations are often touching.

Apart from very occasional live performances of the Italian Songbook, Wolf’s 46 remarkable songs can only be experienced and appreciated in their entirety from recordings. This disc from Bonney and Hagegård keeps distinguished company with Dietrich Fischer-Dieskau and Irmgard Seefried (twice: 1958 and 1959); Fischer-Dieskau and Elisabeth Schwarzkopf (1969); and Ruth Ziesak and Andreas Schmidt (1991). Wolf’s settings of Paul Heyse’s mid-19th-century translations of Italian folk verses offer an intricate and colourful tapestry of reflections on life and love. The craftsmanship of these songs is truly amazing.

Throughout her fifty year career Barbara Hendricks has shown herself to be one of the greatest champions of French song. This has always held a special place in her repertory and in her heart, as have German lieder, Scandinavian and Spanish songs (not to mention jazz and blues); her musical world has no limits. For this new recording made in 2016, the Swedish soprano pays homage both to her singing teacher and mentor, the great American mezzo-soprano Jennie Tourel, and to the creative genius of Hector Berlioz. If the Nuits d’été have long formed part of her repertory, the two cantatas Herminie and Cléopâtre are new.

Convinced that Renee Fleming, Susan Graham, and Barbara Bonney are the trio du jour for Richard Strauss' "Der Rosenkavalier", it was with great anticipation that I listened to this CD consisting of all Strauss songs. I am very impressed with the level of sophistication of this fantastic collaboration between Bonney and Martineau. Exquisite music making as a true partnership between piano and voice and with with sensitivity to the texts….refreshing. A fine addition to the growing discograghy that Fleming, Graham, and Bonney are gifting us!