Bartok a Few Lasy Words

Norway's a-ha took "Take on Me" to the number one spot on Billboard's Top 40 in 1985, thanks to the award-winning animated video that accompanied it. Still, a-ha contributed rather accordingly to the '80s pop sound, drenching their music with bouncy riffs and employing the keyboard as the foundation to their colorful formula. Headlines and Deadlines: The Hits of a-ha assembles all of their singles together, a definite one-stop for all of their music. Combining ballads and radiant '80s pop, this set includes their most fervent offering in "The Sun Always Shines on T.V.," which hit number 20 in 1986 and originated from Hunting High and Low, the same album that included "Take on Me."

Out of the fertile musical soil of southern Sweden comes A Secret River, a band intent on exploring and creating innovative sounds, while still keeping the song in focus. From its humble inception as a duo some ten years ago to the four-piece it is today, A Secret River is steadily building a following around the world, with songs that are undoubtedly progressive and intricate, yet remain easily accessible to listeners from all walks of life. Lush vocal harmonies, unusual song structures and multilayered sounds are just a few of the things that make A Secret River stand out from the crowd. Prog magazine compared the band’s sound to that of artists like Pink Floyd and Peter Gabriel, and a number of radio shows have been giving the bands debut EP steady airplay. On june 25th, 2014 release date of their first full-length album, entitled "Colours of Solitude".

The vocal ensemble A Sei Voci is based in the French city of Sablé-sur-Sarthe and was founded in 1977. The name, naturally, is so given as the group uniformly consists of six regular member voices, although other singers and instrumentalists are added as each project they undertake may require. A Sei Voci was founded with the purpose of recovering vocal works from the Baroque and Renaissance periods that were not yet revived or otherwise known to the public.

"Shame," "Snowblind," and "Metro" are covers of a Wu-Tang Clan, Black Sabbath, and Berlin song respectively. "Shame" actually features some members of the Wu-Tang Clan and contains typical System insanity with Serj rapping and a few extremely catchy riffs. In "Snowblind," SOAD makes a decent Black Sabbath song into a fantastic song by speeding up the tempo of the verses and slowing down the bridge, bringing a beauty to it that was never previously there. Then changing speeds again back to the heavy chorus. "Metro" is another classic System-twanged cover with another catchy slow verse that gives way to a hectic chorus then right back to the melodic verse. All three covers display all the things System of a Down fans have come to love about the band…

Offered at auction with no reserve, serial number 0940 from Classic Records limited edition Deluxe 1S Edition set of audiophile grade re-issues of 10 RCA Living Stereo LPs. The sound quality of these Classic Records re-issues is legendary. All 10 LPs are brand new, still in the original sealed outer sleeves. Each bears a serial number label as on the box, showing the number 0940.

The Végh Quartet was not only one of the finest string quartets from mid-twentieth century Europe, but its style was never subjected to radical change over the years from personnel changes because the four original players remained members for 38 of the 40 years of the ensemble's existence. Its style evolved in subtle ways, of course, but its essential character endured until 1978: the quartet was Central European in its sound, with a bit more prominence given to the cello in order to build tonal qualities from the bottom upward. The Végh Quartet was best known for its cycles – two each – of the Beethoven and Bartók quartets. It also performed and recorded many of the Haydn quartets, as well as numerous other staples of the repertory by Mozart, Schumann, Brahms, and Debussy. For a group that disbanded in 1980, its recordings are still quite popular, with major efforts available in varied reissues from Music & Arts, Archipel, Naïve, and Orfeo.

On Soli, Tamsin Waley-Cohen's 2015 release on Signum Classics, the violinist explores modernist repertoire composed between 1944 and 2005. Because these solo violin pieces by Béla Bartók, George Benjamin, Krzysztof Penderecki, Elliott Carter, and György Kurtág are challenging for both the player and the listener, one should approach this CD with some awareness that they reflect different phases of the avant-garde movement that dominated music in the last half of the 20th century.