Bass Tut

L'Orfeo Barockorchester, Margot Oitzinger & Peter Kooij - J.S. Bach: Complete Solo Cantatas for Alto and Bass (2024) [24/96]

L'Orfeo Barockorchester, Margot Oitzinger & Peter Kooij - J.S. Bach: Complete Solo Cantatas for Alto and Bass (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 126:23 minutes | 2,31 GB
Classical, Sacred, Vocal | Label: CPO, Official Digital Download

During Johann Sebastian Bach’s extraordinarily hectic and industrious first Leipzig compositional period a new musical orientation manifested itself in the second half of 1726. Since the end of May 1723, practically without a break, he had composed a new cantata every week, rehearsed it with his musicians, and then realized its performance. His usual preference in these works had been for large ensembles enabling him to present magnificent choral numbers to Leipzig churchgoers. But now these opulent ensembles yielded to a combination of solo voice parts and relatively small instrumental ensembles. Instead of grand choral numbers and monumental cantus firmus settings, finely elaborated arias were now what dominated. The texts that now were pre- ferred also must have created a stir: in these works a pronouncedly subjective first-person “Ich“ came into the foreground of what were increasingly ex- pressive poetic texts.
L'Orfeo Barockorchester, Margot Oitzinger & Peter Kooij - J.S. Bach: Complete Solo Cantatas for Alto and Bass (2024) [24/96]

L'Orfeo Barockorchester, Margot Oitzinger & Peter Kooij - J.S. Bach: Complete Solo Cantatas for Alto and Bass (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 126:23 minutes | 2,31 GB
Classical, Sacred, Vocal | Label: CPO, Official Digital Download

During Johann Sebastian Bach’s extraordinarily hectic and industrious first Leipzig compositional period a new musical orientation manifested itself in the second half of 1726. Since the end of May 1723, practically without a break, he had composed a new cantata every week, rehearsed it with his musicians, and then realized its performance. His usual preference in these works had been for large ensembles enabling him to present magnificent choral numbers to Leipzig churchgoers. But now these opulent ensembles yielded to a combination of solo voice parts and relatively small instrumental ensembles. Instead of grand choral numbers and monumental cantus firmus settings, finely elaborated arias were now what dominated. The texts that now were pre- ferred also must have created a stir: in these works a pronouncedly subjective first-person “Ich“ came into the foreground of what were increasingly ex- pressive poetic texts.
L'Orfeo Barockorchester, Margot Oitzinger - Johann Sebastian Bach: Complete Solo Cantatas for Alto and Bass (2024)

L'Orfeo Barockorchester, Margot Oitzinger - Johann Sebastian Bach: Complete Solo Cantatas for Alto and Bass (2024)
FLAC (tracks), Lossless / MP3 320 kbps | 2:06:21 | 590 / 289Mb
Genre: Classical

L'Orfeo Barockorchester is an Austrian Ensemble of historically informed performance.The international baroque and opera orchestra, founded in 1996 by Michi Gaigg and Carin van Heerden at the Anton Bruckner Privatuniversität, has received several awards for first recordings. The repertoire, as can be seen from the discography, ranges from Suites of the French Baroque music through the Sinfonia of the Sturm und Drang to the literature of the Klassik and the Romantic music.
L'Orfeo Barockorchester, Margot Oitzinger - Johann Sebastian Bach: Complete Solo Cantatas for Alto and Bass (2024)

L'Orfeo Barockorchester, Margot Oitzinger - Johann Sebastian Bach: Complete Solo Cantatas for Alto and Bass (2024)
FLAC (tracks), Lossless / MP3 320 kbps | 2:06:21 | 590 / 289Mb
Genre: Classical

L'Orfeo Barockorchester is an Austrian Ensemble of historically informed performance.The international baroque and opera orchestra, founded in 1996 by Michi Gaigg and Carin van Heerden at the Anton Bruckner Privatuniversität, has received several awards for first recordings. The repertoire, as can be seen from the discography, ranges from Suites of the French Baroque music through the Sinfonia of the Sturm und Drang to the literature of the Klassik and the Romantic music.
Philippe Herreweghe, Collegium Vocale Gent - Bach: Solo Cantatas for alto & bass; German Cantatas before Bach (2010)

Philippe Herreweghe, Collegium Vocale Gent - Johann Sebastian Bach: Solo Cantatas for alto; Solo Cantatas for bass; German Cantatas before Bach (2010)
EAC | FLAC | Image (Cue & Log) ~ 842 Mb | Total time: 195:20 | Scans included
Classical | Label: Harmonia Mundi | # HML 5908372.74 | Recorded: 1991, 1997, 1999

"The Scholl/Herreweghe CD is distinguished by its marriage of beautiful sound and expressive intensity. The richly nuanced orchestral playing remains forceful throughout and Scholl imbues his beguiling voice with a fervent conviction…"
Ton Koopman, Amsterdam Baroque Orchestra & Choir - Johann Sebastian Bach: Complete Cantatas Vol. 21 [3CDs] (2006)

Ton Koopman, Amsterdam Baroque Orchestra & Choir - Johann Sebastian Bach: Complete Cantatas Vol. 21 [3CDs] (2006)
EAC | FLAC | Tracks (Cue & Log) ~ 926 Mb | Total time: 03:17:59 | Scans included
Classical | Label: Challenge Classics | # CC 72221 | Recorded: 1999-2003

Most of the Cantatas in this this last but one issue of the complete Cantata work has been composed between 1730 and 1740. This volume contains - among others - the famous cantata "Wachet auf ruft uns die Stimme" BWV 140, with the famous chorale "Zion hört die Wächter singen".
Masaaki Suzuki, Bach Collegium Japan - Johann Sebastian Bach: The Complete Sacred Cantatas [55 CDs] (2016)

Masaaki Suzuki, Bach Collegium Japan - Johann Sebastian Bach: The Complete Sacred Cantatas [55 CDs] (2016)
EAC | FLAC | Image (Cue & Log) ~ 17,4 Gb | Total time: 63h 12m 13s | Scans included
Classical | Label: BIS | # BIS-9055 | Recorded: 1995-2015

Throughout most of his professional life, Johann Sebastian Bach composed cantatas for use at church services: it is thought that he probably wrote at least 300 such works. Some 200 of these are still extant, of which the earliest hail from Bach's time as organist in Arnstadt (1703-07) and the last were composed only a year or two before his death in 1750. In 1995, when Masaaki Suzuki and his Bach Collegium Japan began the monumental journey of recording the cantatas, they decided to follow in Bach's footsteps.
Ton Koopman, Amsterdam Baroque Orchestra & Choir - Johann Sebastian Bach: Complete Cantatas Vol. 6 [3CDs] (1998)

Ton Koopman, Amsterdam Baroque Orchestra & Choir - Johann Sebastian Bach: Complete Cantatas Vol. 6 [3CDs] (1998)
EAC | FLAC | Tracks (Cue & Log) ~ 874 Mb | Total time: 3h 16m | Scans included
Classical | Label: Erato | # 0630-12598-2 | Recorded: 1997

The sixth volume of our complete recording of Bach's cantatas inaugurates the long series of sacred cantatas written during the composer's years in Leipzig. With a single exception, the cantatas included in the present release belong to the first annual cycle and date from 1723/24.The cycle begins with Cantatas 75 and 76, with which the recently installed Thomaskantor took up his new appointment in April 1723.
Ton Koopman, Amsterdam Baroque Orchestra & Choir - Johann Sebastian Bach: Complete Cantatas Vol. 12 [3CDs] (2001)

Ton Koopman, Amsterdam Baroque Orchestra & Choir - Johann Sebastian Bach: Complete Cantatas Vol. 12 [3CDs] (2001)
EAC | FLAC | Tracks (Cue & Log) ~ 855 Mb | Total time: 03:21:13 | Scans included
Classical | Label: Erato | # 8573-85842-2 | Recorded: 2000

The cantatas in this volume all date from Johann Sebastian Bach's second year of office as Thomaskantor in Leipzig. The series of chorale cantatas, which breaks off in early 1725, forms an almost complete yearly cycle which derives an exceptional unity of style and content from its debt to established Lutheran hymnody. Almost all the cantatas contain the first and last verse of a hymn, the other verses being paraphrased in recitatives and arias. Practically any selection of the chorale cantatas will display the unusually rich variety of form and colour that is one of their most distinctive features.
Kei Koito - Bach: Famous Organ Works (2019) [Official Digital Download 24/176]

Kei Koito - Bach: Famous Organ Works (2019)
FLAC (tracks) 24-bit/176.4 kHz | Time - 70:32 minutes | 2.30 GB
Studio Master, Official Digital Download | Artwork: Front Cover

Although Bach is viewed today mainly as a monumental composer, it was as a dazzling organist that he made his mark during his lifetime. The present recording, featuring a diverse array of works performed by the organist Kei Koito, shows why. In Bach’s time, organ works were divided into distinct categories: free pieces (pieces based on freely conceived ideas rather than chorale melodies), chorale settings (pieces based on chorale tunes), and transcriptions. Kei Koito touches on all three genres as she presents a fascinating survey of Bach organ music.