Battaglia Monte Cauriol

This is an interesting title in the wake of the notion that Stefano Battaglia composed most of these pieces and has performed them on earlier recordings – both solo and with various groups – and that Tony Oxley is such a renowned improviser…

Giuseppe Mazzini, the greatest revolutionary of the 19th century in Europe, was very passionate about music, he attended theaters and organized an annual concert to support the Italian School he founded in London. He published a very interesting “Philosophy of music” in Paris in 1836 and, as we know from the letters to his mother written in periods of exile from Italy, he loved to play the guitar. His three guitars, appearing for the first time together in a single recording, are preserved in his birthplace in Genoa, today Museo del Risorgimento – Istituto Mazziniano, at the Istituto Storico Nazionale Domus Mazziniana in Pisa, where he died, and in the private collection preserved in Milan by Marco Battaglia. The album includes a varied and fascinating repertoire of original music by Niccolò Paganini, Luigi Moretti, Giulio Regondi and Luigi Legnani, a song specifically mentioned in a letter from Mazzini, a theme by Giovanni Pacini varied by Mauro Giuliani, also author of a pot-pourri that includes parts of works by Gioachino Rossini, and a fantasy on Verdi's Traviata, elaborated by Caspar Joseph Mertz.

A sophisticated Italian pianist, Stefano Battaglia is known for his atmospheric, richly textured brand of jazz and classical. Building upon the work of artists like Keith Jarrett, Bill Evans, and Cecil Taylor, Battaglia emerged to acclaim in the 1980s and has collaborated with a range of jazz musicians from Kenny Wheeler and Lee Konitz to Barre Phillips and his frequent collaborator, bassist Paolino Dalla Porta…

Maestro Marek Janowski, the Orchestre Philharmonique de Monte-Carlo and the Transylvania State Philharmonic Choir present Giuseppe Verdi’s Un ballo in maschera (1859), together with a stellar cast, headed by Freddie De Tommaso (Riccardo), Lester Lynch (Renato) and Saioa Hernández (Amelia). Un ballo in maschera is Verdi’s tragicomic masterpiece, in which the composer skilfully switches gears between the light and tragic, as well as between his earlier and more mature style. As such, it is both an entertaining and highly sophisticated work.

On his sixth album for ECM the Italian pianist and his trio reflect on the work of American composer Alec Wilder (1907-1980). "I first came into a more direct contact with Alec Wilder's music in the early 90s, when I was performing his Sonata for Oboe and Piano and his Sonata for Horn and Piano", Battaglia remembers. "I had already known some of his popular songs like "While We're Young", "Blackberry Winter" and "Moon and Sand" through the intense versions Keith Jarrett has recorded. But after working on Wilder's chamber music I wanted to develop a deeper connection with his intriguing musical universe, and I've discovered an immense hidden treasure"…