Beach Analogue Productions

Holland is the 19th studio album by the American rock group the Beach Boys, released on January 8, 1973. Self-produced by the band, the album peaked at number 36 in the US and number 20 in the UK. The album is the second of two studio recordings to feature Blondie Chaplin and Ricky Fataar, who joined the band the previous year to record Carl and the Passions "So Tough". It is also the third and final studio album created under the management of Jack Rieley.

Smiley Smile is the 12th studio album by American rock band the Beach Boys, released on September 18, 1967. Devised as a simplified version of their then-forthcoming Smile—a different, much more elaborately constructed LP—Smiley Smile contrasts significantly with its minimalist approach and Lo-Fi production. Its music is often cited for having positive effects during an LSD comedown, and was used by at least one drug clinic to help relieve users from bad trips. Regarded as a forerunner to certain bedroom pop acts, in 1974, it was voted the 64th greatest album of all time by NME writers and, in 2000, it was one of 100 albums featured in the book The Ambient Century as a landmark in the development of ambient music.

Sunflower is the 16th studio album by American rock band the Beach Boys, released in August 1970, and their first on Reprise Records. Despite being met with largely positive reviews, the album suffered unexpectedly poor sales. In 2003, Sunflower was voted 380 in Rolling Stone's "The 500 Greatest Albums of All Time". In 1997, it was voted 66 in The Guardian's "100 Best Albums Ever". The track "All I Wanna Do" has been retrospectively cited as one of the earliest manifestations of chillwave, a microgenre that developed in the 2000s.

Shut Down Volume 2 is the fifth album by the American rock band the Beach Boys, released on March 2, 1964 on Capitol. Produced by Brian Wilson, it was the first of three studio albums that the band would release in 1964. The album is the first not to feature rhythm guitarist David Marks, who departed from the band following disagreements with manager Murry Wilson. The "Volume 2" in the album's title refers to a previously released multi-artist compilation album featuring and named after the Beach Boys' song "Shut Down", issued eight months earlier by the band's label, Capitol.

Beach Boys' Party! is the tenth studio album by American rock band the Beach Boys, and their third in 1965, consisting mostly of cover songs played with acoustic instruments. The album was recorded in a music studio and presented as an impromptu live recording of a party, with informal chatter by friends and family overdubbed later. The record company, Capitol, wanted an album for the holiday season, but as there was no new material ready, several options were considered, including a greatest hits album and a live album, before the band decided on the party theme. The Beach Boys covered songs by the Beatles, several doo-wop groups, Bob Dylan, and the Everly Brothers.

Surf's Up is the 17th studio album by American rock band the Beach Boys, released in 1971. It was met with a warm critical reception and reached No. 29 on the US record charts, becoming their best-performing album in their home country since 1967. In the UK, the album peaked at No. 15, continuing a string of chart successes that had not abated since 1965. Both the album's title and cover artwork are an ironic, self-aware nod to the band's original surf music style.

Surfer Girl is the third album by American rock band the Beach Boys and their second in 1963. Surfer Girl reached number 7 in the US during a chart stay of 56 weeks. In the UK, the album was released in spring 1967 and reached number 13. This was the first album by the Beach Boys for which Brian Wilson was given full production credit, a position Wilson would maintain for the next few years. In 2017, Surfer Girl was ranked the 193rd greatest album of the 1960s by Pitchfork.

Surfin' Safari is the debut album by American rock band the Beach Boys, released on October 1, 1962 on Capitol Records. The official production credit went to Nick Venet, though it was Brian Wilson with his father Murry who contributed substantially to the album's production; Brian also wrote or co-wrote nine of its 12 tracks. The album peaked at No. 32 in its 37-week run on the US charts.

Little Deuce Coupe is the fourth album by American rock band the Beach Boys, and their third album release in 1963. It reached number four in the United States during a 46-week chart stay, and was eventually certified platinum by the RIAA. It is considered to be one of the earliest examples of a rock concept album. The album was released three weeks after Surfer Girl. Four of the tracks from Little Deuce Coupe ("Shut Down", "409", "Our Car Club" and "Little Deuce Coupe") had already appeared on previous albums, and discounting an alternate recording of "Be True to Your School".