Beatrixe Potter

Orphelin, le jeune Harry Potter peut enfin quitter ses tyranniques oncle et tante Dursley lorsqu'un curieux messager lui révèle qu'il est un sorcier. À 11 ans, Harry va enfin pouvoir intégrer la légendaire école de sorcellerie de Poudlard, y trouver une famille digne de ce nom et des amis, développer ses dons, et préparer son glorieux avenir. …

Chris Potter's quartet Underground should be looked upon as one of the many facets in the saxophonist's prismatic view of contemporary jazz. Certainly the band is oriented toward a progressive jazz image with the electric guitar work of the brilliant Adam Rogers and Craig Taborn's witty and pungent Fender Rhodes keyboard. Assumedly the concept of Underground harks somewhat to the fusion of Miles Davis, Herbie Hancock, and Chick Corea. But Potter's vision with this combo goes beyond those static and funkier values, entering a wilder, unabashed, and fierce aggression that cannot be corralled. In live performance at the storied Village Vanguard nightclub in Greenwich Village, you expect and receive long drawn-out compositions, extended solos especially from Potter, and new music tried out as audience experiments.

Producers Sonia Friedman and Colin Callender are proud to announce that The Music of Harry Potter and the Cursed Child, an album of music from the internationally acclaimed stage production, will be released on November 2, 2018! The Music of Harry Potter and the Cursed Child is written, composed, performed and recorded by Grammy and Ivor Novello Award-winner Imogen Heap. It is presented as four contemporary musical suites, each showcasing one of the play’s theatrical acts. This unique new album format from Imogen Heap chronologically features the music heard in the stage production, further reworked to transport listeners on a sonic journey through the world of Harry Potter and the Cursed Child.