Begrenzte Freundschaft

Karlheinz Stockhausen - Aries, In Freundschaft, Halt & Pietà (2003) {Stockhausen-Verlag No. 60}
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© 2003 Stockhausen-Verlag | Stockhausen 60
Classical / Avant-Garde / Experimental / 20th Century

Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.

Karlheinz Stockhausen - In Freundschaft, Traum-Formel, Amour (1993) {Stockhausen-Verlag No. 27}
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© 1976-81, 1993 Stockhausen-Verlag | Stockhausen 27
Classical / Avant-Garde / Experimental / 20th Century

Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.

Karlheinz Stockhausen - In Freundschaft für Violine, Bassklarinette, Viola, Tuba, Violoncello (2014) {Stockhausen-Verlag No. 102}
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© 2014 Stockhausen-Verlag | Stockhausen 102
Classical / Avant-Garde / Experimental / 20th Century

Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.

Karlheinz Stockhausen - In Freundschaft für Blockflöte, Fagott, Horn, Kontrabass (2012) {Stockhausen-Verlag No. 101}
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© 2012 Stockhausen-Verlag | Stockhausen 101
Classical / Avant-Garde / Experimental / 20th Century

Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.

Karlheinz Stockhausen - Spiral I & II, Pole, Wach, Japan, Zykus, Tierkreis, In Freundschaft (2009) {2CD Set EMI Classics}
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© 2009 EMI Classics | 50999 6 95598 2 2
Classical / Avant-Garde / Experimental / 20th Century

Performances from 1971 to 1997, featuring Tristan Fry in Zyklus, Harald Bojé and others in pieces for short-wave radios and electric instruments, and the composer's son Markus in the trumpet cycles In Freundschaft.

This DAF overview from Mute's Grey Area pulls from Alles Ist Gut, Gold und Liebe, and Für Immer, the three Conny Planck-produced albums Robert Görl and Gabi Delgado released on Virgin during 1981 and 1982. It's even-handed in its selections, with six tracks off Gold und Liebe and seven each from the other two. Virtually all the highlights are here, and almost all of them dish out the impossibly clenched, bruising rhythms and barked vocals DAF perfected during this phase. The slower, sleazier, and even more sinister material ("Im Dschungel der Liebe," "Prinzessin") is also well represented. Naturally, this is the best dose of early electronic body music short of Mute's fine 1998 album reissues.