Bella Germany 7 September 2016

Black Cat is the thirteenth studio album by the Italian blues rock singer-songwriter Zucchero Fornaciari, released on 29 April 2016. It's his first full-length studio album in six years, after Chocabeck in 2010, given that La Sesión Cubana (2012) was a mix of unreleased, previously released and cover songs. The album is marked by a music which goes back to soul & blues roots and sound of the famous Oro Incenso & Birra (1989). According to Zucchero, the album does not have the meaning of Western prejudice of Black cat, yet Afro-American for "figure of speech, a greeting, a symbol of auspice". As well there's a component of anarchism toward the "market rules". It is his "darkest album and rough ever in terms of sonority".

Black Cat is the thirteenth studio album by the Italian blues rock singer-songwriter Zucchero Fornaciari, released on 29 April 2016. It's his first full-length studio album in six years, after Chocabeck in 2010, given that La Sesión Cubana (2012) was a mix of unreleased, previously released and cover songs. The album is marked by a music which goes back to soul & blues roots and sound of the famous Oro Incenso & Birra (1989). According to Zucchero, the album does not have the meaning of Western prejudice of Black cat, yet Afro-American for "figure of speech, a greeting, a symbol of auspice". As well there's a component of anarchism toward the "market rules". It is his "darkest album and rough ever in terms of sonority".

The blend between the voices is finely controlled, the tone mellow and the tuning spectacularly accurate, giving rise to an organ-like sonority that is genuinely thrilling,” wrote Gramophone magazine, praising the Hilliard Ensemble’s four singers, who excelled in an extraordinary variety of music over a 40-year career. This seven-CD collection extends from the Middle Ages to the Baroque, offering music by composers from England, France, Flanders and Germany.

This luxurious set containing 39 CDs, 3 DVDs, 1 CD-Rom and four detailed booklets will tell you the full story of Baroque opera in Italy, France, England, and Germany. No fewer than 17 complete operas (including two on DVD) and two supplementary CDs (the dawn of opera, Overtures for the Hamburg Opera) provide the most comprehensive overview of the genre ever attempted! The finest performers are assembled here under the direction of René Jacobs and William Christie to offer you 47 hours of music. An opportunity to discover or to hear again the masterpieces of Baroque opera, some of which have been unavailable on CD for many years.

In 1968, six former choral scholars from King’s College, Cambridge established the King’s Singers, later described by The Times as “the superlative vocal sextet”. The group has always comprised two countertenors, a tenor, two baritones and a bass, and over the years it has proved consistently exceptional for vocal distinction and breadth and diversity of repertoire. This celebratory collection of eight CDs focuses on Renaissance composers from Italy, England, France, Spain, Germany and the Low Countries.

Jérôme Lejeune continues his History of Music series with this boxed set devoted to the Renaissance. The next volume in the series after Flemish Polyphony (RIC 102), this set explores the music of the 16th century from Josquin Desprez to Roland de Lassus. After all of the various turnings that music took during the Middle Ages, the music of the Renaissance seems to be a first step towards a common European musical style. Josquin Desprez’s example was followed by every composer in every part of Europe and in every musical genre, including the Mass setting, the motet and all of the various new types of solo song. Instrumental music was also to develop considerably from the beginning of the 16th century onwards.

George Frideric Handel’s Admeto is considered one of the most successful operas produced in the first half of the 18th century. Along with Radamisto, Giulio Cesare, Tamerlano, Rodelinda and Alessandro, which were also written in this period, Admeto belongs to Handel’s so-called 'London operas' – works he composed for the Royal Academy of Music. Though born in Halle, Germany, Handel spent most of his adult life in London and became a British subject in 1727.

Handel composed Agrippina at the end of a three-year sojourn in Italy. It premiered in Venice at the Teatro San Giovanni Grisostomo on 26 December 1709. It proved an immediate success and an unprecedented series of 27 consecutive performances followed. Observers praised the quality of the music—much of which, in keeping with the contemporary custom, had been borrowed and adapted from other works, including the works of other composers. Despite the evident public enthusiasm for the work, Handel did not promote further stagings.