Berg et Beck Robert Bober

Joanne Rowling, plus connue sous les noms de plume J.K. Rowling et Robert Galbraith, est une romancière et scénariste anglaise.
Elle a publié sous le pseudonyme de Robert Galbraith la série Cormoran Strike …

Portrait de l'homme politique américain soulignant son action aux côtés de son frère J.F. Kennedy en tant que directeur de campagne et que ministre de la justice, ses engagements contre la corruption et les inégalités sociales et raciales, marqués par sa foi catholique, et sa carrière de sénateur de l'Etat de New York jusqu'à son assassinat en 1968, après sa victoire à la primaire de Californie. …

The surprising thing about these three discs is that the performances get better the further we depart from the shores of Romanticism and tonality. Not what you'd expect from von K and the Berliners. Pelleas benefits from wonderfully lush orchestral playing from the Berlin Philharmonic, but it feels more like very colourful scene painting rather than real drama. To get to the Romantic heart of this piece, try Barbirolli: for its expressionist, forward looking (via Verklarte Nacht to Erwartung) side, go to Boulez.

Robert Trevino's first album together the Basque National Orchestra featuring orchestral works by the great French-Basque composer Maurice Ravel (1875-1937) received an excellent response. The program in this second volume is perhaps more 'French' in nature, but the Basque orchestra is giving dazzling performances of these works by their own national composer. While the first album was focused on some of Ravel's most popular orchestral works, this album includes some rarities, including Ma mère l'Oye (Mother Goose) in it's complete ballet version, as well as one world première recording: Pierre Boulez's orchestration of Ravel's World War I era piano work, Frontispice.

NOT TiGHT is the long-awaited debut album from virtuosic Gen Z duo, DOMi and JD Beck, released on Anderson .Paak’s new label Apeshit in partnership with the legendary jazz label Blue Note Records. It features the likes of Thundercat, whose deadpan funk is their closest antecedent, Herbie Hancock, Snoop Dogg, Busta Rhymes, Mac DeMarco, Kurt Rosenwinkel, and .Paak himself. Their music finds both humour and greatness in harmonic complexity and rhythmic shiftiness, abruptly adopting and ditching tempos, toying with time signatures, and sneaking extra beats into bridges. They offer winking breaks and gleeful pivots, but the album is more composed than anything they’ve done before, toying with pop structures and pretty restraint. That befits their origin story. The duo first played together in a room full of blaring demos at a trade show, but they bonded over gauche keyboard FX and mom jokes. Over the next year and a half, they wrote and recorded much of the album at JD’s house in Dallas on drums and a 49-key MIDI board with just a few mics. Along the way, DOMi and JD Beck have sat in with Herbie Hancock and backed Thundercat, Ariana Grande, Eric André, and more; they also co-wrote “Skate” on .Paak’s Grammy-winning album with Bruno Mars as Silk Sonic.