Bexie Williams Peeking in

To celebrate the 25th anniversary of Robbie Williams’ multi-million selling solo debut album ‘Life Thru A Lens’ (originally released in September 1997 in the UK) UMC / Island Records are releasing a new expanded Deluxe Edition on 4CD set on 2nd December 2022.

Bassist Buster Williams contributed eight of the nine selections (all but the standard "I Thought About You") for this well-conceived set of advanced straight-ahead jazz. Williams (who had recently turned 50) teams up with vibraphonist Stefon Harris, pianist Geri Allen and drummer Lenny White. Harris is mostly the lead voice and the group does sound at times a little like the Modern Jazz Quartet, due to the identical instrumentation. Williams takes a surprisingly effective vocal on his "Why Should I Pretend" and otherwise is mostly in the background behind Harris and Allen. Due to the excellent originals, this is one of Buster Williams' strongest dates as a leader.

The legendary American film composer John Williams conducts the Vienna Philharmonic
Orchestra for the first time Visit from the dear God was the title of the standard,
standing upright jubilant choirs at their first appearance: as if God was received by
earthly disciples John Williams in Vienna documents the historical performance a
very special honour in the life of the composer Symphonic Hollywood sounds on the stage
of the Vienna Musikverein the world-famous orchestra plays cult themes from Star Wars,
Harry Potter, Indiana Jones, Jurassic Park and other milestones in film history Star guest
Anne-Sophie Mutter with adaptations for violin arranged especially for her by Williams Star
Wars, Harry Potter, Indiana Jones, Jurassic Park the soundtracks of the master of cinematic
magic John Williams are among the most popular in the history of film and have received numerous
prestigious awards, including five Oscars, five Emmys, four Golden Globes and twenty-five Grammys.

Lucinda Williams is incapable of sounding anything less than 100-percent engaged and sincere. Whatever she has to say, she clearly means it, and that more than anything else is the thread that runs through 2020's Good Souls Better Angels, her fourth album since she launched her own record label and took full control of her process of recording and releasing music. Cut mostly live in the studio with her road band – Stuart Mathis on guitar, David Sutton on bass, and Butch Norton on drums – these 12 songs play like a long stream-of consciousness journey, with Williams writing in blues structures that repeat certain lines like a mantra while her band either sneak up on the music like a ghost or howl with elemental, bluesy skronk (the raw, gritty tone of Mathis' guitar matches Williams' vocals for sheer ferocity on numbers like "Down Past the Bottom," "Bone of Contention," and "Wakin' Up" like he's roots rock's answer to Ron Asheton).

The sacred music of Ralph Vaughan Williams is made problematic by the fact that he was, in the words of philosopher Bertrand Russell, a "confirmed atheist." However, to use the elegant phrase of annotator Ceri Owens, he "embraced the church as a place where a broad populace might regularly encounter a shared cultural heritage." That embrace took two forms, ably explored here by conductor Andrew Nethsingha (whose renown has advanced to a point where his surname can be used by itself on the cover as a selling point).