Bhodo Schäfer

Christine Schäfer's bright, silvery soprano is a perfect vehicle for these solo cantatas. The adventurous Musica Antiqua Köln supports her in lively readings, full of spirit and animation. Schäfer sails through the technical demands with ease, but she also brings a welcome warmth and sensitivity to the texts. Some of the movements are taken at a clip that may surprise, but the performers bring it off with aplomb. The familiar Cantata No. 51 actually isn't a wedding cantata, but its joyous spirit fits the mood, so it's welcome all the same, especially in a performance of such agility and precision.

Star soprano Christine Schafer sings scenes and arias from one of Handel’s most popular operas. The combination of Handel and Schafer ensure this is going to a major release.

What sort of voice did Pauline Strauss have? She was a professional singer when she first met Richard Strauss and he seems have been inspired by her voice, writing a considerable number of songs for her. Before she retired from stage she had sung Elisabeth (Tannhäuser), Agathe (Die Freischutz), Leonore (Fidelio) and Donna Anna which implies a voice of some size. But elsewhere she is described as having a voice which was neither large nor beautiful. It should be admitted that the majority of songs which Strauss wrote for her were lieder, with just piano accompaniment.

Following the album Arias, her much-acclaimed debut album on Sony Classical, the German soprano returns to Bach with three famous cantatas she has never recorded before. Regardless of their extraordinary musical beauty all of these cantatas are concerned with religious considerations of grief, guilt and farewell. Based on the Italian model of solo cantata which reached its peak in the extensive output of Alessandro Scarlatti, these melodious and touching pieces highlight Schäfer´s outstanding vocal abilities and musical taste. The arias offer most delightful duets with various instrumental solo parts such as flute, oboe and violin. Christine Schäfer is accompanied by the Berliner Barocksolisten, a first-class ensemble of players from the Berlin Philharmonic who perform on modern instruments in historically informed style.

Following the iconic series of the complete songs of Schubert and Schumann, Graham Johnson’s latest enterprise traverses the complete songs of Brahms. He is joined here on Volume 2 by the wonderful Christine Schäfer, whose contribution to the Schumann song series won a prestigious Gramophone Award.