When Bill Evans agreed to do a two piano date with Bob Brookmeyer, eyebrows surely must have raised. Pairing a rising superstar of modern jazz with a gentleman known for playing valve trombone and arranging charts might have been deemed by some as a daunting task. Fortunately for the keyboardists, this was a good idea and a marvelous concept, where the two could use the concept of counterpoint and improvisation to an enjoyable means, much like a great chess match. For the listener, you are easily able to hear the difference between ostensible leader Evans in the right channel of the stereo separation, and the accompanist Brookmeyer in the left.
Bill Evans' Fantasy recordings of 1973-1979 have often been underrated in favor of his earlier work but, as this remarkable nine-CD set continually shows, the influential pianist continued to grow as a musician through the years while holding on to his original conception and distinctive sound. The collection has all of the 98 selections recorded at Evans' 11 Fantasy sessions, including nine numbers from a previously unreleased 1976 concert with his trio. In addition, Evans' appearance on Marian McPartland's Piano Jazz radio program is tacked on as a bonus and it is actually among McPartland's finest shows, a fascinating hour of discussion and music with Evans.
Smile With Your Heart: The Best of Bill Evans on Resonance brings together standout tracks from the company’s four sets of hitherto unheard material by the lyrical keyboard master: Live at Art D’Lugoff’s Top of the Gate (2012); Some Other Time: The Lost Session from the Black Forest (2016); Another Time: The Hilversum Concert (2017); and Evans in England (2019). Evans in England was issued for the first time as limited edition two-LP set on Record Store Day 2019, and 3 tracks from the album appear on Smile With Your Heart.
2021 finds Zev Feldman teaming with the Elemental Music label, to release yet another long lost live recording by an Evans trio, Behind the Dikes - The 1969 Netherlands Recordings.
This is music that has long been available, in an underground sort of way, on bootleg recordings of sub-standard sound quality - something that is problematic in most music, unforgivable in regards to Bill Evans. That has changed with this official release. The sound is crisp and clean, showcasing the pristine and distinctive Evans touch, and the always remarkable interplay with this particular trio, with Evans joined by bassist Eddie Gomez and drummer Marty Morell.
Evans' best trio, with bassist Scott LaFaro and drummer Paul Motian - that produced the groundbreaking Sunday At the Village Vanguard (1961) and Waltz For Debby (1962)…
During an 18-year period, fan Mike Harris went to the Village Vanguard whenever pianist Bill Evans appeared and privately taped his performances. More than a decade after Evans' death, Harris made all the proper legal arrangements and producer Orrin Keepnews released music from 26 different occasions on this eight-CD box set, 104 selections in all. With the exception of the first date (and to a lesser extent the last one), the recording quality is surprisingly good, making this a real bonanza for Bill Evans' other fans.