This compilation of Nelson's work over a ten-year span follows an earlier Cocteau set, The Two-fold Aspect of Everything, which compiled single releases and oddities. Nelson is amazingly prolific, with many albums to his credit, and a growing list of box sets in various forms…
This album contains the music he was commissioned to write for artist Rob Ward's "Crimsworth" installation. This comes in the form of two lengthy tracks…
It's possible to find through-lines of the new romantic strain of pop throughout this Bill Nelson release, with washes of synthesizer and dance-of-electrocution rhythms going on all over the place, but the true fascination is the mix of a post-ironic tone and a cultured sensitivity to art and beauty. While Nelson puts his guitar chops on display periodically through the album (much of it with E-bow in hand), this is far from being a guitar album - all of the disparate elements are too well-integrated for any to assume a point of focus. There is a sweetness and a lightness to a great deal of the work Nelson put into this album, and this makes it infinitely listenable. In some respects, this is also a record that will teach listeners everything they need to know about Bill Nelson - it touches on all aspects of what he does.
My Secret Studio really isn't a secret, and never has been, unless you count the period of time when problems of life and surroundings seemed to make it impossible for Bill Nelson to actually get anything musical out into the open. His larger commercial connections had evaporated, his own label had been wracked by unethical behavior by his manager, and his life as a whole seemed to be one gigantically complex knot. Rather than letting these problems crushing the inspiration out of him, Nelson was energized by them. He might not have been able to release much of a anything for a while, but this didn't stop him from recording hundreds of new songs and instrumental pieces.
The Last Of The Neon Cynics is a collaborative project by Bill Nelson and comic book artist Matt Howarth. The download includes a 110 page high-rez full colour PDF graphic novel and all the original CD artwork. All music composed, played and recorded by Bill Nelson. Comic book graphic novel story and artwork by Matt Howarth.
Esoteric Recordings announce a new release on their recently launched Cocteau Discs imprint, a limited edition reissue of BILL NELSON’s classic 4 disc ambient boxed set "TRIAL BY INTIMACY (The Book of Splendours)”. The set was originally released on Bill’s Cocteau Records label in October 1984 and comprised recordings made by Bill at his Echo Observatory home studio. Comprising some eighty pieces of music, the set was a fine example of Bill Nelson’s grasp of Ambient music and has subsequently been hailed as a ground-breaking work. Long deleted, the set is made available once more with this newly re-mastered Cocteau Discs edition. The new release fully restores the original elements of the "TRIAL BY INTIMACY” box and is an exact facsimile, reproducing a 32 page book and eight art postcards that featured in the original set.
Deluxe three CD clamshell boxed collection. Dreamy Screens: Soundtracks from the Echo Observatory set features three albums, all recorded at Bill Nelson's Yorkshire home studio, the Echo Observatory, in 1981 and 1982 - Sounding the Ritual Echo (originally issued as a limited edition bonus LP with Bill's 1981 album Quit Dreaming and Get On the Beam), Das Kabinet (a soundtrack to a production of The Cabinet of Doctor Caligari by The Yorkshire Actors Company issued as an LP on Bill's Cocteau label in 1981) and La Belle et La Bete (a soundtrack to a stage production of Jean Cocteau's classic 1946 film Beauty & the Beast, first issued as a limited edition bonus LP with Bill's 1982 album The Love That Whirls).
ESOTERIC RECORDINGS imprint Cocteau Discs, the home of BILL NELSON’s catalogue between 1971 and 2001, continues their series of on-going releases with the newly remastered and expanded release of his 1986 album "GETTING THE HOLY GHOST ACROSS”. Released in 1986, the record was Bill’s sole album for the Portrait label, and was a superbly realised work. Previously released on CD as strictly limited edition of 500 copies on Bill’s Sonolux label, the album is hugely sought after on CD by collectors.
Recorded at a low ebb in Nelson's career, the tracks here were never intended for solo release; instead, they were demos for a projected band called Perfect Serpents – a sort of Be Bop Deluxe Mark II. That project never managed to get off the ground, and Nelson issued this set, a rough snapshot of what might have been. Like most demos, it's rough; the drum machines used sound raw, and often too far in front, and the mixes aren't perfect (it's a shame, really, that he didn't go back and remix the tracks to do them more justice before releasing them). However, the Nelson guitar magic is there in abundance, multi-layered and glorious. His singing still remains a take-it-or-leave-it proposition, but those already converted will love it. As for the music, it's far more energetic and focused around songs than Nelson had been for a while.
At the end of March 2011, Bill Nelson and the Gentlemen Rocketeers, along with one hundred plus guests, populated Studio A at Metropolis, West London, for a dynamite concert reminiscent of the Marquee club in its heyday. A blistering fourteen song set from the band, which covers much of Bill’s career to date, was the result. We’re delighted to present that set here on both CD and DVD, together with an interview with Bill and a sublime four track solo set as DVD extras.