Highly-regarded blues singer and harmonica player, an unpredictable character, and a major figure of Chicago blues.
Sonny Boy Williamson was, in many ways, the ultimate blues legend. By the time of his death in 1965, he had been around long enough to have played with Robert Johnson at the start of his career and Eric Clapton, Jimmy Page and Robbie Robertson at the end of it. In between, he drank a lot of whiskey, hoboed around the country, had a successful radio show for 15 years, toured Europe to great acclaim and simply wrote, played and sang some of the greatest blues ever etched into black phonograph records. His delivery was sly, evil and world-weary, while his harp-playing was full of short, rhythmic bursts one minute and powerful, impassioned blowing the next…
Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources. The only reason I can think of for there not yet being a review of these four boxed sets, is that those who own them are just too busy having one hell of a blast listening to them. Some people moan about the 50 year copyright law for audio recordings in Europe, but without it this highly entertaining, eye-opening and educational undertaking could never have taken place. These 100 discs (spread over four boxed sets of 25 discs) tell the story of jazz from 1898 to 1959.
Chest of 10 CDs, an essential guide to delve into 'pre-bebop jazz': there are all of them: from the first 'dixieland' bands, including Bessie Smith, Fats Waller, Fletcher Henderson, Louis Armstrong, King Oliver , Jelly Roll Morton, Bix Beiderbecke, Duke Ellington, Earl Hines, Sidney Bechet, Art Tatum, Louis Prima, Benny Goodman, Django Reinhardt, Lionel Hampton, Coleman Hawkins, Count Basie, Billie Holiday, Ella Fitzgerald, Nat King Cole, Glenn Miller Charlie Christian…
In his seminal book on the composer’s life and music, Debussy, His Life and Mind (London, Dent & Sons Ltd, 1980 revision) Edward Lockspeiser, who spoke with many of Debussy’s own friends and colleagues and thus knew his subject particularly well, called his hero “ a unique artistic phenomenon in the history of music” (Lockspeiser 162). His analysis has clearly stood the test of time.