Bitches

Trumpeter, bandleader, composer, and one of the most important figures in jazz music history, and music history in general. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Winner of eight Grammy awards…

Miles Davis - Bitches Brew (1970) {3CD+DVD, 40th Anniversary Collector's Edition, Columbia-Sony Music rel 2010}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.11 Gb | MP3 @320 -> 399 Mb
Full Artwork @ 300 dpi (jpg) -> 90 Mb | 5% repair rar
DVD5 -> 3.57 Gb | All Regions | NTSC 4:3 | LPCM, 2 ch | ~ 71m | ISO Image
© 1970, 2010 Columbia / Legacy / Sony Music | 88697 75520 2
Jazz / Fusion / Jazz Rock / Trumpet

Historic debate over the relevance and merits of trumpeter Miles Davis' seminal jazz-rock fusion masterwork Bitches Brew (Columbia), especially upon this year's 40th anniversary of its original 1970 release, could fill every page of even a paperless internet jazz e-zine (a body of work to which Greg Tate's companion essay adds: "Bitches is a multi-clawed, multi-tentacled, multi-brained creature whose center of gravity never stays preoccupied with one body part for too long"). But one point seems certain: two live performances of this electrifying music—one from 1969 on a bonus DVD, the other from 1970 on a bonus CD—are the genuine treasure troves of this 40th anniversary Collectors' Edition.

Miles Davis - Bitches Brew Live (2011) {Columbia–Legacy 88697 81485 2 rec 1969-1970}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 397 Mb | MP3 @320 -> 143 Mb
Full Artwork @ 300 dpi (png) -> 40 Mb | 5% repair rar
© 1969-70, 2011 Columbia / Legacy / Sony Music | 88697 81485 2
Jazz / Fusion / Jazz-Rock / Trumpet

Before looking into the musical quality on Bitches Brew Live, it's important to note for cost-conscious consumers that none of this material appeared on the Bitches Brew: 40th Anniversary Collector's Edition or the 40th Anniversary Deluxe Edition. The material contained here is compiled from two concert performances. The first three tracks were taken from the Newport Jazz Festival in July of 1969, preceding the release of the album by nine months. The last six were recorded at 1970 Isle of Wight Festival, four months after the album hit store shelves.

Miles Davis - The Complete Bitches Brew Sessions (1970) {4CD Set Columbia CK 65577~80 rel 2004}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 1.75 Gb | MP3 @320 -> 619 Mb
Full Artwork @ 300 dpi (png) -> 1.00 Gb | 5% repair rar
© 1970, 2004 Sony Music / Columbia / Legacy | CK 65577~80
Jazz / Fusion / Jazz-Funk / Trumpet

THE COMPLETE BITCHES BREW SESSIONS won the 2000 Grammy Award for Best Boxed Recording Package. Released in 1970, BITCHES BREW undeniably changed the shape of jazz to come. Fundamentalists groan that it diluted the form, bringing on the fusion plague and sowing the germs of smooth jazz. But a cross-section of adventurous listeners recognized it for the monumental sonic breakthrough it was: slabs of free jazz mixed with hard-funk rhythms, rock's electric textures and a meditative blues spirit, with the studio used as the editing desk to tie these elements together.

Bitches Brew is a studio double album by American jazz musician Miles Davis, released on March 30, 1970, on Columbia Records. The album continued his experimentation with electric instruments previously featured on his critically acclaimed In a Silent Way album. With the use of these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of a looser, rock-influenced improvisational style. Bitches Brew was Davis's first gold record; it sold more than half a million copies. Upon release, it received a mixed response, due to the album's unconventional style and experimental sound. Later, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians. The album won a Grammy Award for Best Large Jazz Ensemble Album in 1971.

On his third solo effort, Eric Vloeimans employs a similar post-Miles Davis approach to the trumpet as Wynton Marsalis. Featuring pointillistic compositions accented by slippery diminished runs, Bitches and Fairy Tales is a nice drink of fuzzy, straight-ahead jazz with Vloeimans often adding a little avant-garde triple sec into the mix. While comparable to Marsalis in his use of operatic bent tones punctuated by the occasional growl, Vloeimans more often settles into his warm, foggy tone like another trumpeter who had an affinity for the Netherlands, Chet Baker. Backing Vloeimans on piano is the Bill Evans-influenced Brit John Taylor. Joey Baron on drums and Marc Johnson on bass round out the group.