Black Composers

Cedille Records want the world to know about two of Mozart's less-familiar contemporaries, Chevalier J.J.O. de Meude-Monpas and Chevalier de Saint-Georges, as well as later composers Joseph White and Samuel Coleridge-Taylor. All were men of mixed African and European descent who made important contributions to European music in the 1700s and 1800s. Celebrities in their day, they've been all but forgotten in our era.

Violinist Rachel Barton Pine’s lifelong love of the blues, combined with her determination to uncover and commission works by black composers, has led to this album of pieces soaked in the blues tradition of the 19th-century Deep South. From the riotous opening “Blues (Deliver My Soul)” by David Baker to Coleridge-Taylor Perkinson’s bold Blue/s Forms for Solo Violin and Errollyn Wallen’s modernist “Woogie Boogie,” plus music by Billy Childs, William Grant Still, and more, it’s a dazzling, sophisticated collection. Barton Pine has this music in her blood, and she relishes the blues’ rich vein with playing of rhythmic freedom and ravishing beauty—and an incredible sense of fun.

Pianist Rochelle Sennet says in her introduction that this third volume of Bach to Black: Suites for Piano, represents her continuing interest in performing suites and multi-movement works by Black composers in combination with the suites of Johann Sebastian Bach. This volume contains world premiere recordings of suites by Adolphus Hailstork and James Lee III as well as Black women composers Margaret Bonds, Montague Ring, Nkeiru Okoye, and Betty Jackson King, as well as a suite by William Grant Still. Dr. Sennet has established herself as a well-known performer, teacher, and scholar, with solo performances around the United States as well as in Russia. She studied at the San Francisco Conservatory, the University of Michigan, Texas Christian University, and the University of Illinois. She is on the faculty at the University of Illinois at Urbana-Champaign.