Over a period of many years, filmmaker Mickey Lemle set about capturing a portrait of His Holines the Dalai Lama, now in his mid-80s, as he travelled the world talking about his life, compassion, his disciplines, and his work. The film commissioned original music from Philip Glass and Tibetan musician Tenzin Choegyal. The score is performed by Glass and Michael Riesman on pianos, Tenzin Choegyal on vocals and various Tibetan instruments, Tim Fain on Violin, Robert Black on double bass, and the Scorchio String. Quintessential traditional offering, "Om Ma Mi Phad may Hum" can be heard in "Heart Strings," sung by 150 Tibetan children. The album ends with Philip Glass's own live performance of Mad Rush, composed for the Dalai Lama's first public address in New York in 1978.
Dedicating an album to the dark side of the Lied might seem inappropriate in these times of Covid, climate change and refugee crises, but as a mezzo-soprano Olivia has always been drawn to the darker roles in opera, the sad arias in oratorio and the deep laments in song. After our recent recording ('Dirty Minds'), which focused on 'la petite mort', it seemed a natural progression to turn our attention to 'la grande mort'! Darkness in the outside world and the inner self has always been - alongside Love - one of the chief themes of vocal music, and compositions and songs about death are legion during every period of musical history.
Fahey recorded two versions of this album, one in 1963, the other in 1967; this deluxe reissue gives you both! This was his second album, and the first to get any kind of distribution (the re-record benefits from better fidelity); with compositions like When the Springtime Comes Again; Some Summer Day , and the epic America , it's essential.