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NOW Music are thrilled to announce the ultimate feel-good album of the year: NOW That’s What I Call A Massive 70s Party – Out 22nd November! Kicking off this celebration of 70s party anthems is Queen's timeless ‘Crazy Little Thing Called Love’, before continuing with the unforgettable sing-along classic ‘Sweet Caroline’ from Neil Diamond and the glam smash ‘Crocodile Rock’ from Elton John. Next comes familiar party favourites: ‘Y.M.C.A.’ from Village People, Donna Summer’s ‘Hot Stuff’ and Hot Chocolate’s ‘You Sexy Thing’, before moving on to the empowering massive #1 ‘I Will Survive’ by Gloria Gaynor and the anthemic ‘I'm Every Woman’ from Chaka Khan. The dancefloor keeps buzzing with ‘Le Freak’ from Chic, Boney M.'s ‘Sunny’, and the global best-seller ‘Yes Sir, I Can Boogie’ from Baccara. The floor-filling magic of ‘Disco Inferno’ from The Trammps, ahead of party staple ‘I'm In The Mood For Dancing’ from The Nolans, leads the first disc to a close with country gold ‘The Devil Went Down To Georgia’, and a huge hit from the end of 1979 for Fidler’s Dram, ‘Daytrip To Bangor (Didn’t We Have A Lovely Time)’

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With shared love for the tradition of Renaissance and Folk-Rock music, legendary guitarist Ritchie Blackmore and award-winning lyricist and singer Candice Night founded Blackmore’s Night in 1997. They have been enchanting audiences around the world ever since.

In Portraits, Adam Bałdych delves into the human condition, using music to explore the complexities of our age—marked by moral dilemmas, chaos, and introspection. Drawing inspiration from historical sources like Szymon Laks’ Auschwitz Games, Bałdych reflects on themes of identity, existence, and the coexistence of beauty and brutality. Featuring an exceptional quintet of musicians, including Sebastian Zawadzki, Marek Konarski, and Andrzej Święs, Portraits blends Polish, Jewish, and classical influences with innovative sonoristic explorations. This album is a powerful, introspective journey, inviting listeners to reflect on who we are and what it means to truly exist.

This Woman's Work: Anthology 1978–1990 is a compilation box set by the English singer-songwriter Kate Bush. Released in 1990 on CD, vinyl and cassette; it comprises her six studio albums to that point together with two additional albums of B-sides, rarities and remixes. The two rarities discs are entitled This Woman's Work: Volume One and This Woman's Work: Volume Two (in the vinyl edition the twenty-nine tracks are spread over three LPs), and have never been released as albums separately from the box set.

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She’s Not Shiny, She’s Not Smooth, an homage to the beauty that abides within and around the flaws in everyone’s perfect plans. Vanisha Gould embracing of imperfection was not something that initially came naturally, but was a realization and perspective that came with experience. “All of these little things we do, that I do, to make sure everything goes smoothly - you can bet your bottom dollar that something will go wrong,” Vanisha expresses. “That perfect outfit I finally chose? I’ll sweat through it within ten minutes on the stage. That perfect makeup? It’s gone by the time I get off the subway to the gig.” Amidst the ever-present torrent of potential hangups that encompass daily life for a performer, Vanisha embodied the choice that every individual has to make: either be crippled by the entropy of one’s circumstances, or use the cracks in the wall as a new canvas for something remarkable. “This album was created when I realized I can’t be perfect,” she says. “And you know what? Dammit, I like that. What a relief to embrace that idea.”

Formed in Spartanburg, SC around 1970, Uncle Walt’s Band (David Ball, Deschamps Hood, and Walter Hyatt) established themselves in the area before relocating to Nashville (garnering a following a recording/publishing deal with Buzz Cason), and eventually Austin (per the invite of Willis Alan Ramsey who was anxious to record them.)

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