Götterdämmerung, the final instalment of Wagner’s Ring of the Nibelung, is a story of human passions. Two essentially benevolent creatures, involved with and possibly doomed by their traffic with the gods, find treachery and evil in the world of the humans, and are ruined by the dark side of humanity.
In Siegfried, the “Second Day” or third evening of the Ring Cycle, we meet the pivotal hero of the epic tale. The energetic drive from Die Walküre is pursued here while Siegfried finally recaptures the mighty ring from Fafner the Dragon and awakens Brünnhilde from her penal sleep on the great rock.
Richard Wagner called Die Walküre the “first evening” of the Ring of the Nibelung; he called Das Rheingold the prologue or Vorabend. Musically and dramatically, we are introduced to a radically new and different world when the opening bars of Die Walküre resound. A fully developed orchestral palette of Leitmotivs paints a wild storm scene, and the curtain rises on a modest dwelling: a fully human scene that has nothing to do with the gods, dwarves and nymphs of Das Rheingold. At the same time, however, the way Die Walküre portrays radical beginnings reveals some telling reminiscences of the unfolding of Das Rheingold. Die Walküre is exciting and deeply feeling drama.
The vulnerable young woman at the heart of Janacek's breakthrough opera is a signature role for the English soprano Amanda Roocroft. Here, in Stéphane Braunschweig's clear but deeply affecting production, she is partnered by the Slovak tenor Miroslav Dvorsky, as the man through whom she finds redemption, love and hope. The complex figure of the Kostelnicka becomes both tormentor and tormented in this fearless interpretation by the great dramatic soprano Deborah Polaski.
In 2018, the glamourous film music gala “Hollywood in Vienna” at the Wiener Konzerthaus has been dedicated to Academy Award winner Hans Zimmer. His greatest hits from more than 30 successful years of film score composing are brought to life by the ORF Vienna Radio Symphony Orchestra and a wide range of soloists from all over the world! Featuring music from “INCEPTION”, “ THE DARK KNIGHT”, “GLADIATOR”, “THE LION KING” and many more.
800 litres of water, two sails, thirty pulleys, sixty hammocks: for the Bicentenary of the Teatro Real of Madrid, Deborah Warner coined a colossal production of Benjamin Britten's Billy Budd. A critically-acclaimed performance, praised for its depth and intelligence. Baritone Jacques Imbrailo delivers a stunning rendition of the young sailor's part, while British singers Toby Spence and Brindley Sherratt provide solid interpretations of Captain 'Starry' Vere and of John Claggart. In the pit, Ivor Bolton masterfully deploys, along with the Orchestra of the Teatro Real, all the energy and power of Britten's fifth opera. A now iconic production, co-produced by the Opera of Rome and the Royal Opera House.
Mozart's genius in setting to music Da Ponte's comic play of love, infidelity and forgiveness marks Così fan tutte as one of the great works of art from the Age of Enlightenment. Nicholas Hytner's beautiful production for the Glyndebourne Festival in 2006, with its sure touch and theatrical know-how, lives up to its promise to be 'shockingly traditional', while Iván Fischer teases artful performances from an outstanding international cast of convincing young lovers.
The hit concert Fantasymphony is back in DR Koncerthuset. Rejoice in epic music from the greatest fantasy movies, series and games. The Danish National Symphony Orchestra opens the gates to the magic worlds from The Lord of The Rings, Game of Thrones, The Hobbit, The Witcher, Skyrim, League of Legends, and many more.
This Rigoletto, filmed live at the Zurich Opera House in 2006, has three strong leads to recommend it. In the title role, Leo Nucci fully represents all of Rigoletto’s character traits and range of emotions—the hunchback’s lancing wit, fearfulness, and self-loathing when we first meet him and later, his obsessive need for revenge. Both Rigoletto’s sense of righteous triumph when he believes he’s got the Duke dead in the bag and his inconsolable grief at the drama’s end are palpable.
The Blu-ray Experience II: Opera, Ballet & Theatre: includes opera, ballet and theatre highlights from the Opus Arte catalogue, and gives everyone the opportunity to experience the stunning quality of High Definition picture and sound, at an extremely competitive price. Including world-class artists such Carlos Acosta, Darcy Bussell, Sarah Connolly, Miyako Yoshida, Diana Damrau, Joyce DiDonato, Adetomiwa Edun, Gerald Finley, this is a must-have purchase this autumn. Blu-ray offers an outstanding audio and visual experience, with up to six times the resolution of standard definition DVD, and up to 5.1 channels of High Definition surround sound.