Blues

After a career as a local bluesman and blues promoter in Texas and Oklahoma, Gary Coleman found his niche when he signed over his first album, a self-produced outing originally issued on his own label, to the fledgling Ichiban company out of Atlanta in 1986. Since that time, both Coleman and Ichiban have made their marks in the blues field: not only did Coleman release half-a-dozen of his own albums, he also oversaw production of the bulk of Ichiban's hefty blues catalog, bringing to the studio a number of artists he'd booked or toured with in his previous career (Chick Willis, Buster Benton, and Blues Boy Willie, among others). A singer/guitarist on-stage, Coleman often took on a multi-instrumentalist's role in the studio. His music remained true to the blues and to the King legacy saluted in his "B.B." moniker and in his acknowledged debt to fellow Texan Freddie King.

This band is hot. Very, very hot. And those aren't just empty words. After all, the Blues Company from Osnabrück, Germany is neither a hodgepodge of rank beginners nor - to borrow business lingo - a group of new business starters. Rather, they are a team of artists who have made their mark, musicians with experience and know-how aplenty. The musicians at work here have long since ensured that the name of their “company” is a recognised “seal of approval”. In a nutshell, “Blues Company” stands for German's longest-running and most successful blues band. And with each new recording, with each concert, these pros underscore that their passionate love affair with the blues is burning brightly as ever.

Essential Blues is an attempt to trace the evolution of the music from the Mississippi Delta to Chicago and other modern, urban cities. It does a fairly good job in providing a brief history, but the main strength of the collection simply comes from the music. Featuring cuts from Lightnin' Hopkins, Howlin' Wolf, B.B. King, Slim Harpo, Junior Parker, Elmore James, Albert Collins, and many, many others, it's a quick and effective way to sample a variety of different blues styles. For neophytes, Essential Blues does offer a splendid introduction to the genre.

Waters' The Real Folk Blues and More Real Folk Blues, combined here onto one CD, were not exactly random collections of tracks – the quality was too consistently high for them to just have been picked out of a hat. Still, it was a pretty arbitrary grouping of items that he recorded between 1947 and 1964. In fact, they hail from throughout his whole stint at Chess, virtually; at the time these albums were first issued, though, all of the material on More Real Folk Blues was from the late '40s and early '50s. They didn't exactly concentrate on his most well-known songs, but they didn't entirely neglect them either, including "Mannish Boy," "Walking Thru the Park," "The Same Thing," "Rollin' & Tumblin' Part One," "She's Alright," and "Honey Bee," amongst somewhat more obscure selections. So ultimately, this disc's usefulness depends on your fussiness as a collector – if it's the only Waters you ever pick up, you'll still have a good idea of his greatness, and if you don't mind getting some tracks you might already have on more avowedly best-of sets, you'll probably hear some stuff you don't already have in your collection.

This package chronicles 30 years of Moddy Blues recordings. Track includes "Nights in White Satin," "Question," "The Voice," "I'm Just a Singer (In a Rock And Roll Band).