Bobby 'blue' Bland The Definitive Collection

Recorded live at the New Daisy Theater with Bland's regular working road band, this captures him in fine form, bringing together old favorites with some other numbers for a heady blend. When called for, the old Joe Scott heavy horn-laden arrangements are summoned up on tunes like "St. James Infirmary," "Farther on Up the Road," "That's the Way Love Is," "I Pity the Fool," and "I'll Take Care of You" with consummate ease. But even more telling is how effortlessly and seamlessly material like Buddy Ace's "Love of Mine," "Members Only," "Soon as the Weather Breaks," and Bill Withers' "Ain't No Sunshine" and "Get Your Money Where You Spend Your Time" meshes with the old standbys. A lengthy slow blues medley brings guest appearances from Johnnie Taylor and Bobby Rush on "Stormy Monday," but the real star here is Bland himself. He's in good voice and good humor, and this makes a fine addition to his stack of latter-day recordings.

In the wake of the recent, superb box set, it's hard to imagine a single disc being definitive of one of Britain's great folk singing groups. At best, you can touch on their different facets and legacy. But Definitive Collection actually does a splendid job. There are the hymns, the traditional songs, and some of the permutations (Lal and Norma, Mike, even the late Peter Bellamy), as well as tracks by Waterson: Carthy and Blue Murder, who carry on the flame of the original Watersons in many ways (especially Blue Murder, which is essentially Waterson:Carthy plus Barry Coope, Jim Boyes and Lester Simpson). The tracks are from their "Topic" albums (which means, because of licensing, nothing from the original, wonderful Bright Phoebus release is here), but all of those that are here are wonderful, and sung with such naturalness that they epitomize what folk singing should be about. There's no sense of premeditation about their performances. This is simply who they are, and their way of expressing themselves. It's not Mighty River of Song, which really is definitive, but as an introduction to the Watersons, and an overview of their massive achievements in folk music, this works excellently.

Here on this CD we re treated to an excellent example of a "live" Bobby "Blue" Bland concert recorded at Long Beach, California in 1983. Along with Mel Jackson, Bobby's Bandleader/Arranger/trumpet player, one gets to hear some truly amazing guitar work by the legendary guitarist, Wayne Bennett. Mel Jackson and the Orchestra - kick off the show with a funky soulful instrumental "Mels Groove" to warm up the audience and loosen up the musicians before the Dynamic Bobby "Blue" Bland takes to the stage and runs through his 1962 "Ain't That Loving You", and his 1959 "I'll Take Care Of You", (two Duke classics)…

Although it isn't billed as such, this is a compilation of some of the best tracks from Bland's first two '80s albums for Malaco fleshed out with remakes of some of his most famous late-'50s and early-'60s hits. Of the latter, the standouts are probably "Two Steps From the Blues" and "St. James Infirmary." Bland can't quite hit the high notes the way he once did, but his voice is still attractive and his phrasing is, if anything, even better. The more recent material ranges from "Members Only," with its great retro-60s soul groove, to the straight-ahead blues of "Straight From the Shoulder."

When Bobby "Blue" Bland was recording for Malaco in the '80s and '90s, many blues experts asserted that he was past his prime - and they were right. Bland had done his best work for Duke in the '50s and '60s, and his voice wasn't what it once was. But the blues/soul singer was still capable of delivering a worthwhile album, and he still had a loyal fan base. In fact, the singer was a consistent seller for Malaco, which could generally be counted on to give him good or excellent material to work with. Recorded when Bland was in his late fifties, Midnight Run isn't remarkable but is generally decent. The production of Tommy Couch and Wolf Stephenson is rock solid, and Bland is soulful and satisfying on the amusing "Take off Your Shoes," the reggae-influenced title song, and arrangements of Bill Withers' "Ain't No Sunshine" and the Mel & Tim hit "Starting All Over Again."

The intention of the Universal Music Group compilation series called The Definitive Collection is to occupy the price point in between its more expensive two-CD Gold series and its budget-priced 20th Century Masters: The Millennium Collection series. It is, thus, aimed at the fan who wants a reasonably complete single-disc anthology of a particular artist's hits. In that sense, the Righteous Brothers' edition of the series is a good example. The duo reached Billboard magazine's Hot 100 21 times between 1963 and 1974, and 17 of those chart entries are contained on this album. (The most notable exceptions are the two follow-ups to the novelty comeback hit "Rock and Roll Heaven," "Give It to the People" and "Dream On," which UMG didn't choose to license from EMI.) Also included are a couple of LP tracks and a solo track each by Bill Medley and Bobby Hatfield. All have been digitally remastered and are in excellent sound.

Four albums dating from 1978, 1979, 1980 and 1981 from legendary blues singer Bobby Bland, originally released on MCA. Bland had a long and influential career with the ‘Dreamer’ album (BGOCD63) and ‘His California Album’ (BGOCD64) both creating great critical and commercial acclaim. Rock artists such as Van Morrison, Mick Hucknall and David Coverdale are all disciples of Bland. Digitally remastered and slipcased, and with extensive new notes.

All of their U.K. and U.S. hits are included on this compilation. Highlights are "You're No Good," "Hippy Hippy Shake," and their fine (pre-Who) cover of Johnny Kidd's "Shakin' All Over," though even for the Anglophile, about half of this CD is forgettable, especially the dreary post-1966 stuff. This anthology includes several non-LP/rare singles and unreleased songs.

2CD set best of the 6 albums he released on the Monument and Warner Brothers labels, incl Polk Salad Annie, Willie & Laura Mae Jones, Rainy Night in Georgia, Five Summers For Jimmy & more. 42 tracks. Tony Joe White was an American singer-songwriter and guitarist, best known for his 1969 hit "Polk Salad Annie" and for "Rainy Night in Georgia", which he wrote but was first made popular by Brook Benton in 1970. He also wrote "Steamy Windows" and "Undercover Agent for the Blues", both hits for Tina Turner in 1989; those two songs came by way of Turner's producer at the time, Mark Knopfler, who was a friend of White. "Polk Salad Annie" was also recorded by Elvis Presley and Tom Jones.