Boheme Netrebko Billy

Oscar-nominated director Robert Dornhelm lends the story a darker glow, with Bertrand de Billy's soft-centred but warm conducting and two superb star performances. Villazón as Rodolfo, less… sings with a focused intensity which at time recalls Caruso, and makes a scruffily credible hero… Netrebko's creamy-voiced Mimì is no naïve little seamstress; her scarlet satin and glamour-girl make-up suggests she's been around… but her anguish in Act III is no less heartfelt. Dornhelm's sombrely sumptuous images capture a credibly chilly, squalid, yet defiantly romantic milieu.

A greatest-hits album ought to stick to the middle of the road, playing to what an artist does best. Yet it ought not simply wallow in past glories: this collection from Russian soprano Anna Netrebko, arguably the best-known soprano of the present day, hits the spot and can safely be recommended to newcomers. Netrebko is at her best in core Italian repertory like Casta Diva from Bellini's Norma or Libiamo ne 'lieti calici from Verdi's La Traviata.

Puccini wrote arias like no other composer, from O Soave Fanciulla to O Mio Babbino Caro and of course Nessun Dorma. His operas are among the most performed worldwide – La Bohème, Madama Butterfly, Turandot, Manon Lescaut and Tosca are all featured here. Singers include Anna Netrebko, Plácido Domingo, Mirella Freni, José Carreras and Monsterrat Caballé among others.