Recorded during the band's foray into what was referred to as "the happiest barrack," Queen brings rock to the Eastern Bloc on their live album/concert film Hungarian Rhapsody: Live in Budapest. Though the set they rip through is more or less the same as the one captured on the legendary band's Live at Wembley '86 album, the historical significance of the performance makes it an event worth documenting. Performed in Budapest in 1986, the show feels like a portent of things to come for Eastern Europe…
This album hums and growls, it whispers very delicately and causes a pleasant feeling again and again. It is the warm, deep and full tone of the double bass that has taken hold of the young Viennese soloist Dominik Wagner. This is already the fourth album he is releasing on the label Berlin Classics. As on the three previous albums, he has placed the double bass at the center, and yet everything is different on the new album "Double Bass Rhapsody". Here, the double bass is heard exclusively as a solo instrument, in a quartet and even in a sextet. For this, Dominik Wagner has enlisted the best colleagues he can imagine: Christoph Wimmer and Herbert Mayr, both principal double bassists of the Vienna Philharmonic, who share with him an authentic connection to the Viennese style. And José Trigo, deputy principal double bass of the BR Symphony Orchestra, who, like Dominik Wagner, also studied with Professor Dorin Marc. "In order to bring out the special features of the double bass, there is no need for any other instrument" explains Dominik Wagner.
With tangos and Ellingtonia under his belt, this ever-curious occasional crossover classicist takes another break from the Berlin Staatsoper, the Chicago Symphony, and Bayreuth to dabble in an unfamiliar (to him) idiom. Though the results are about as spontaneous as a sunrise, this collection does cover a wide range of brief bits of Braziliana from inevitable tunes by Ary Barroso, Luiz Bonfá, and Antonio Carlos Jobim to songs by Milton Nascimento and Caetano Veloso and classical selections by Heitor Villa-Lobos and Darius Milhaud.
Japanese Edition with Bonus track.
The Italian symphonic power metal institution Rhapsody Of Fire returns with their album Challenge The Wind, presenting us with another instalment of their Nephilim saga, which began in 2019 with the album The Eighth Mountain.
Epic orchestral arrangements, bombastic choirs, fast and melodic guitars, a gripping story… These are all attributes that we have come to appreciate and love about Rhapsody Of Fire, and that's exactly what we get on Challenge The Wind.