Bond

Love Is The Law (1968). In 1968 Graham Bond left the Britain after the collapse of the Graham Bond Organisation to record two legendary albums for mercury records in the us. Recorded in Los Angeles, Love Is The Law saw Bond play all instruments on the album (except drums) & featured material that featured jazz influences alongside emerging psychedelic & underground rock influences resulting in a truely unique and highly sought after work, laced with fine musicianship and mystical lyrics. Previously bootlegged on CD with poor quality sound, this Esoteric release of Love Is The Law has been re-mastered from the original master tapes and restores the original artwork with a new essay to make the definitive edition of this classic album…

One of the founding fathers of the British blues movement, Graham Bond released two spectacular albums in 1965 as the Graham Bond Organization. When Bond broke up the Organization, he moved to the United States where he recorded two "solo" albums in 1965. In 1966, he returned to England where he became a member of Ginger Baker's Air Force for a time then left and formed the band Magick with his wife Diane Stewart. Holy Magick, the band's debut album, was originally released on the "progressive" Vertigo label in 1970. The album was based on Bond's interest in white magic and Druid and Celtic mysticism…

L'agent secret britannique se bat contre un docteur qui cherche par tous les moyens à se débarrasser définitivement de lui. …

Au casino de Royale-les-Eaux, Le Chiffre, mystérieux et puissant agent au service des Russes, joue pour financer ses sinistres projets lorsque James Bond, un adversaire aux nerfs d'acier, s'assoit en face de lui. …

A sort of cross between Sex and the City and the Kronos Quartet as they might be remixed by Paul Oakenfold (actually Orion and the Beatmasters do most of the producing), Bond is a string quartet of toothsome beauties at least as concerned with their hair and makeup as their playing whose work on Shine is heavily augmented with dance beats. It's a formula that sits them atop the classical crossover charts, up there with Sarah Brightman and Josh Groban, and why not?