Woody Herman had a breakthrough during the period of time covered by Classics' third Herman CD. The Apr. 12, 1939, session yielded "Woodchopper's Ball," Herman's first hit, and it also featured "Dallas Blues," "Blues Downstairs," and "Blues Upstairs." From then on, Herman's first group would be known as "The Band That Plays the Blues." Other highlights of this enjoyable CD include four titles featuring singer Connie Boswell, the Andrews Sisters guesting on "Begin the Beguine," some vocals by Mary Ann McCall, and the tracks "The Sheik of Araby" and "Farewell Blues." Despite the lack of any major soloists (beyond the leader), things were definitely looking up by August 1939 for Herman.
First up, the return of the Herd for “The Herd Rides Again In Stereo” ten or so years after the First Herd roared across America between the years 1945-1948. Original members like Chuck Jackson are joined by the likes of Bob Brookmeyer who had played with the Herd for 7 weeks way back in 1952 and other fine musicians like Billy Bauar, Nat Pierce, Al Cohn and Don Lamond. A year later and another reunion of sorts as “The Fourth Herd” stampede into town! This time, however, we have a band playing within a band!? That is, an octet featuring Woody Herman, Zoot Sims, Nat Adderley, Eddie Costa and the big band rhythm section all basking in the “inspiring warmth” of the big orchestra”…
This CD is quite a bit different than most audiophile releases for it contains rare rather than famous recordings. 1959's The Fourth Herd (which features an all-star group of studio musicians and Woody Herman alumni along with his octet of the time) was only put out briefly by Jazzland while the music on 1962's The New World of Woody Herman was never available commercially before; both were originally cut for the SESAC Transcribed Library and were available only to selected radio stations on a subscription basis…
Yaron Herman blends elements of jazz, classical, and the music of his native Israel in this intriguing trio session with bassist Chris Tordini and drummer Tommy Crane. The trio's delicious opener is "Follow the White Rabbit," which makes deft use of repeated riffs and often seems inspired by Keith Jarrett's trio recordings. His tense "Saturn Returns" defies categorization, as it freely draws from many diverse styles. Herman's solo piano vehicle "Cadenza" is dramatic with classical overtones, yet it sounds as if it were improvised on the spot in the studio. While there are no standards, Herman's inspired choice and tender interpretation of the neglected gem "Baby Mine" - written by Frank Churchill and Ned Washington for the Disney film Dumbo…
Herman's Hermits four UK albums for EMI's Columbia label, dating between 1965 and 1968. All albums were produced by Mickie Most and feature UK and US hits such as 'I'm Henry The Eighth I Am', Mrs Brown You've Got A Lovely Daughter', 'Listen People', 'No Milk Today', 'There's A Kind Of Hush', 'Dandy' and 'You Won't Be Leaving' Digitally remastered and slipcased. New notes.
Herman's Hermits were one of those odd 1960s groups who accumulated millions of fans, but precious little respect. Indeed, their status is remarkably similar to that of the Monkees, and it's not a coincidence that both groups' music was intended to appeal to younger teenagers. The difference is that as early as 1976, the Monkees began to be considered cool by people who really knew music…