The Sonics that Wailers bassist Buck Ormsby took into a small studio and unleashed on the world show a live band at the peak of its power, ready to mow down the competition without even blinking twice. Their debut long-player (originally issued on the Etiquette imprint) is reprised here with new liner notes by Norton prexy Miriam Linna in the original mono. The flame-throwing hits of "The Witch," "Psycho," "Boss Hoss," and "Strychnine" are aboard, along with versions of "Do You Love Me," "Dirty Robber," "Have Love Will Travel," and "Walkin' the Dog" that are no less potent. This long-play vinyl reissue also boasts the addition of four bonus tracks: "Keep a Knockin'" (the original B-side of "The Witch") and three selections from an Etiquette Christmas album, "Don't Believe in Christmas," "The Village Idiot," and "Santa Claus." Another important chunk of Seattle rock & roll history.
The utterly most fabulous debut album from the loudest crowd of punk rockers ever! Originally released in early ‘65, this hard-hitting screamfest took the local teen scene by the eardrums and never let go! An astonishing battle of the wills of Parypa, Bennett, Roslie, Lind and Parypa, this LP has long provided the measuring stick for all wishful thinkers! Lush packaging, interviews, tons of info, pix! Featuring Nortophonic Loud Sound mastering for massive fidelity. Includes four bonus cuts.
Everyone would agree that the Sonics reached their peak on their 1964-65 recordings for Etiquette. This 29-track compilation has everything they recorded for the label, extended not just to everything from their singles and two albums, but also with an alternate take of "The Witch" and live recordings of "Psycho" and "The Witch." Consequently, it's the best Sonics release on the market, though you should be warned: it's not wall-to-wall greatness. After the first half-dozen or so songs, you might well be ready to buy into their legend as one of the great (and certainly rawest) '60s garage bands, as those tracks include their toughest elementary riff-fueled pounders: "The Witch," "Psycho," "Boss Hoss," "He's Waitin'," and "Strychnine."
A genre-spanning 2CD mix of hit singles, slow burners and lost gems from soul, funk, psych, garage and rock’n’roll. The 45s that defined 1965 and crystallised author Jon Savage’s memories of the year. 1965 was the year of Dylan, folk-rock and protest, and the year when the post-beat bohemian subculture took over from traditional showbiz as the principal youth culture. Suits and group uniforms were out: denim, suede and long hair in. It was also a vintage Motown year. In the first week of 1965, the Supremes were at #2 US and three other Motown records were in the Billboard Top 40. Two weeks later the Supremes reached #1, the first of six Motown achieved that year – and, in March, EMI UK launched the Tamla Motown label with hits by the Supremes and Martha & the Vandellas. Harder core soul artists such as Wilson Pickett and James Brown also had US pop hits and, thanks to the pirate radio stations and inspired promotion by Decca PR Tony Hall, Pickett narrowly missed the UK Top 10.
The series now takes a trip to the US of A, sixties style for its latest theme. Reflecting the way todays 60’s centric DJs / Mod Clubs weave a patchwork of musical styles from the 60’s in their 360 degree playlists of the period, so the latest Looking set travels from uptempo R&B and Early Soul to Garage Punk, Northern, Frat Rock, Proto-Psych and wild instro’s. PayIng homage to American Mod music from the Sixties.