Riccardo Muti chose to celebrate his 75th birthday with a programme at the 2016 Salzburg Festival featuring two masterworks from the Austro-German tradition that had both been premiered by the Wiener Philharmoniker under the direction of their respective composers: Bruckner’s Symphony No.2 and R. Strauss’ Orchestral Suite Der Bürger als Edelmann. Alongside celebrated pianist Gerhard Oppitz is violinist Rainer Küchl, on the eve of his retirement from the Wiener Philharmoniker following a remarkable 45 years of service.
Co-chief conductors Riccardo Minasi and Maxim Emelyanychev take turns on the podium leading this period-instrument band in a rousing collection of concertos by Haydn. Il Pomo d'Oro has been hailed "a wonderful ensemble, and Minasi an outstanding musician" capable of "bringing the house down with his virtuosity" (The Guardian). Emelyaychev's award-winning harpsichord joins Minasi's violin in the soloists' spotlight, along with the distinguished natural horn of Johannes Hinterholzer. The concertos are complemented by Haydn's Symphony No 83 (known as The Hen, because of the ‘clucking’ figures on the strings in its second movement) and his Keyboard Fantasia Hob.XVII:4.
With Beethoven’s Piano Concertos no. 4 and op. 61a, the latter being the composer’s own transcription of his Violin Concerto, Gianluca Cascioli, Riccardo Minasi and Ensemble Resonanz present two milestones of the piano literature. Basing their interpretation on intensive source research in the archives of the Vienna Musikverein and on handwritten notes by Beethoven, the performers suggest an alternative, more varied and virtuosic version of the piano part in Concerto no. 4.
Riccardo Chailly is a dynamic and sometimes controversial conductor known for his devotion to contemporary music and for his attempts to modernize approaches to the traditional symphonic repertory. His many recordings for the Decca label include modern masterworks by Zemlinsky, Hindemith, and Schnittke, the symphonies of Gustav Mahler, and a number of operas.
Amsterdam's Concertgebouw Orchestra has a famous Mahler tradition, dating back to the composer's contemporary Willem Mengelberg. Chailly's 12-CD set of all 10 symphonies (including the last, completed by Deryck Cooke) will add to the lustre. Chailly recorded them over a decade, to a mixed reception. They are comparatively reticent and serious - "de-neuroticised", one reviewer put it - with an emphasis on the integrity of the overall structure rather than the immediate phrase.