Braccioli Riccardo

The musical notes of this Puccini masterpiece provide the starting point and foundation for a new, highly successful collaboration between Riccardo Chailly and Davide Livermore. In their interpretation, there is “no moment, no movement, that goes against the musical meaning” (R. Chailly). The result is an energetic, authentic, and atmospherically strong Bohème, “in which every sacred phrase receives its own orchestral colour, its own dynamic and its own expression.” (Corriere della Sera)

The inaugural production of Riccardo Chailly’s era as La Scala’s music director, Verdi’s Giovanna d’Arco stars Anna Netrebko “ablaze in the title role of warrior-saint” (The Observer) and features an imaginative production by Moshe Leiser and Patrice Caurier. The first performance of the opera at La Scala in over 150 years.

Together with the Filarmonica della Scala, Riccardo Chailly explores the iconic film scores of Nino Rota in a new collection, The Fellini Album. Slated for release on June 7 to mark 40 years since Rota’s death in April 1979, the album contains music from classic Federico Fellini films that capture the spirit of Italian cinema in the 1950s and 60s. The Fellini Album includes brand new recordings of music from La Dolce Vita, Amarcord, 8 ½, The Clowns and Il Casanova. The Fellini Album is available to pre-order now and will be released on Decca Classics/Universal Music Canada, the country’s leading music company on June 7.

Recorded during the 2018 Donizetti Festival, Il Castello di Kenilworth was first staged at Naples’ San Carlo in 1829. Drawn from a novel by Sir Walter Scott and adapted by librettist Leone Tottola, this rare opera was unjustly long neglected. This recording features the original version, with the role of Warney entrusted to a tenor (which the composer changed into a baritone in the 1836 revision of the score).Il Castello di Kenilworth is the first of the several successful works to follow that Donizetti based on British history, introducing the character of Queen Elizabeth I, torn by the inner struggle between a monarch’s duty and a woman’s feelings. The fundamental pivot of the drama is the antagonism between the two female characters who both dwell and suffer in their loneliness, in a male-dominated world.

This acclaimed La Scala performance of "Don Giovanni" instantly took its place among the most important Mozart productions. Thomas Allen, hailed as one of the best British baritones ever, gives an engaging and seductive performance as the famous lover. Under the baton of Riccardo Muti, this La Scala production highlights all of the tragic grandeur of this masterpiece without sacrificing its lighthearted moments. Director Giorgio Strehler's staging has been lauded for its subtle psychological treatment of the characters.

Porpora: Christmas Oratorio - Il verbo in carne is the new album from the sensational Kammerorchester Basel which rediscovers the exceptional Christmas oratorio which made it’s premiere 271 years ago. Under the direction of Riccardo Minasi, the Kammerorchester Basel—alongside excellent singers Terry Wey, Martin Vanberg and Roberta Invernizzi—shine light on this beautiful masterpiece from the Neapolitan School which was first heard in 1947. This recording showcases the most outstanding parts of the Christmas oratorio. This oratorio tells the story of Christmas through the use of unique allegorical figures. These are Peace, humanity, Justice and Truth. The Kammerorchester Basel is one of the worlds leading chamber orchestras with a worldwide presence.

“What I have that is most precious I will preserve in my own name”. This is most likely the belief that guided a series of harpists – ranging from Leonardo Mollica, the most renowned virtuoso of the late Renaissance, to Orazio Michi, Marco Marazzoli and Giovan Carlo Rossi (brother of the better-known Luigi) – to change their names to Leonardo, Orazio, Marco, and Carlo “dall’Arpa” respectively. Although none of the above were actually born in Rome, this was the place where their careers played out. Restoring an identity to these musicians is the express aim of this recording project. And the resulting portraits of these virtuosos of the “queen of instruments” are the outcome of lengthy research, study, transcription and arrangement carried out by Riccardo Pisani and Chiara Granata.

Star tenor Javier Camarena makes his Pentatone debut with Signor Gaetano, together with Gli Originali under the baton of Italian opera specialist Riccardo Frizza, presenting a carefully-curated exploration of Donizetti's greatest tenor arias. Besides famous excerpts from L'elisir d'amore, Don Pasquale and Roberto Devereux, this project focuses on hidden gems from rarely-recorded works such as Betly, Maria de Rudenz and Il giovedì grasso. Camarena and Frizza's exceptional sense of style is enhanced by the period instrument playing of Gli Originali.