Brahm Xrcd

This release features some of the best jazz masters in the industry, apart from Dave Grusin such as Ron Carter, bass, Lee Ritenour, guitar, Harvey mason, drums and Larry Bunker, percussion. Songs include A Child Is Born, Keep Your Eye On The Sparrow, Sun Songs and several others. This is the XRCD version of Dave Grusins masterpiece on Sheffield Labs Direct to Disc series.

Mulligan Meets Monk documents the 1957 meeting of two sharp musical minds. Though the pairing may seem unlikely, baritone saxophonist Gerry Mulligan - whose cool, West Coast style blends dexterity with laid-back grace - and Thelonious Monk - whose radical, angular piano playing and thoroughly modern compositions are blueprints for the possibilities of bop - sound remarkable together. In fact, it is the contrast between the players' styles that lends this set its balance and appeal. The program, which includes four compositions by Monk and one by Mulligan, is unassailable. Mulligan acquits himself admirably on the Monk classics "'Round Midnight," "Rhythm-a-ning," and "Straight, No Chaser," unfurling his smooth tone over their zigzagging melodies and ambitious scalar architecture…

Many straight-ahead bop musicians would never consider recording traditional folk songs from the British Isles, but that's exactly what Johnny Griffin does on The Kerry Dancers and Other Swinging Folk - and this Orrin Keepnews-produced album just happens to be one of his best releases of the 1960s. Joined by pianist Barry Harris, bassist Ron Carter, and drummer Ben Riley, the big-toned Chicago tenor man turns his attention to four traditional folk melodies: "The Londonderry Air" (also known as "Danny Boy"), "Green Grow the Rushes" (a Scottish favorite), "The Kerry Dancers" (an Irish piece), and "Black Is the Color of My True Love's Hair" - all of which work perfectly well in an acoustic jazz setting. Not everything on this album (which was recorded in late 1961 and early 1962) is a folk song from the British Isles; the other half of the album ranges from Griffin's moody "Oh, Now I See" to the John Coltrane-influenced "25 1/2 Daze"…

McClain sings soul with incredible power - he knows when to pull the punches and when to cool it down. "Give It Up to Love," the title track, acknowledges his gospel roots; he performs it as a vocal prayer to God asking for wisdom, love, and strength. Bruce Katz's contributions on B-3 Hammond organ expands McClain's sound, particularly on the "Green Onions"-influenced "What You Want Me to Do." The sparsely effective arrangement on "Here I Go Falling in Love Again" brings McClain up front as he cries of being a soul stripped to the bare bones. Kevin Barry's funky bass blows while McClain declares himself as a child of God in "Child of the Mighty Mighty."