Brahms Connolly

Dame Sarah Connolly, Hanno Müller-Brachmann & Malcolm Martineau - Brahms Songbook, Vol. 2 (2024) [Digital Download 24/96]

Dame Sarah Connolly, Hanno Müller-Brachmann & Malcolm Martineau - Brahms Songbook, Vol. 2 (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 70:00 minutes | 1,13 GB
Classical, Vocal | Label: Linn Records, Official Digital Download

Pianist Malcolm Martineau is the brilliant initiator of this new one-of-a-kind series on Linn. The Brahms Songbook has set the unprecedented goal to record Brahms’s lieder by complete opus number. In this second instalment, Malcolm is joined by star mezzo-soprano Dame Sarah Connolly and bass-baritone Hanno Müller-Brachmann in five sets that were composed and published over a period of thirty years: Op. 72, Op. 105, Op. 43, Op. 48 and Op. 57. In a time when the middle-class was growing, song-writing was both lucrative and pleasurable, offering a myriad of ways to explore perennially popular topics like unrequited love. Yet, in the lieder recorded here Brahms immerses us in a heightened emotional world, distant from the drawing rooms and concert halls of the bourgeoisie.
Dame Sarah Connolly, Hanno Müller-Brachmann, Malcolm Martineau - Brahms Songbook, Vol. 2 (2024)

Dame Sarah Connolly, Hanno Müller-Brachmann, Malcolm Martineau - Brahms Songbook, Vol. 2 (2024)
FLAC (tracks), Lossless +Booklet | 1:09:46 | 257 Mb
Genre: Classical

Pianist Malcolm Martineau is the brilliant initiator of this new one-of-a-kind series on Linn. The Brahms Songbook has set the unprecedented goal to record Brahms's lieder by complete opus number. In this second instalment, Malcolm is joined by star mezzo-soprano Dame Sarah Connolly and bass-baritone Hanno Muller-Brachmann in five sets that were composed and published over a period of thirty years: Op. 72, Op. 105, Op. 43, Op. 48 and Op. 57. In a time when the middle-class was growing, song-writing was both lucrative and pleasurable, offering a myriad of ways to explore perennially popular topics like unrequited love. Yet, in the lieder recorded here Brahms immerses us in a heightened emotional world, distant from the drawing rooms and concert halls of the bourgeoisie.
Thomas Oliemans & Malcolm Martineau - Brahms: Romanzen aus Magelone & Regenlied-Zyklus (Brahms Songbook, Vol. 1) (2023)

Thomas Oliemans & Malcolm Martineau - Brahms: Romanzen aus Magelone & Regenlied-Zyklus (Brahms Songbook, Vol. 1) (2023)
WEB FLAC (tracks) - 239 Mb | MP3 CBR 320 kbps - 145 Mb | 01:02:40
Classical, Vocal | Label: Linn Records

Malcolm Martineau is the brilliant initiator of this new one-of-a-kind series on Linn. The Brahms Songbook has set the unprecedented goal to record Brahms’s lieder by complete opus number. For its first instalment, Martineau has teamed up with famed Dutch baritone Thomas Oliemans in the expansive Romanzen aus Magelone, Op. 33 . Composed between 1861 and 1869, the youthful, inevitably romantic fifteen-song cycle tells the story of a noble warrior, a Neapolitan princess and a sultan’s daughter. The operatic-like cycle goes through the emotions of each character as the tale unfolds. Oliemans’s busy stage career and ‘communicative singing style’ (The New York Times) make him the perfect fit. The album concludes with the virtually unknown ‘Regenlied’ cycle: four songs that were later included in Acht Lieder und Gesänge, Op. 5 9. Volume 2 will see Dame Sarah Connolly and Hanno Müller-Brachmann share the bill.
Thomas Oliemans & Malcolm Martineau - Brahms: Romanzen aus Magelone & Regenlied-Zyklus (Brahms Songbook, Vol. 1) (2023) [24/96]

Thomas Oliemans & Malcolm Martineau - Brahms: Romanzen aus Magelone & Regenlied-Zyklus (Brahms Songbook, Vol. 1) (2023)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 62:40 minutes | 1,05 GB
Classical, Vocal | Label: Linn Records, Official Digital Download

Malcolm Martineau is the brilliant initiator of this new one-of-a-kind series on Linn. The Brahms Songbook has set the unprecedented goal to record Brahms’s lieder by complete opus number. For its first instalment, Martineau has teamed up with famed Dutch baritone Thomas Oliemans in the expansive Romanzen aus Magelone, Op. 33 . Composed between 1861 and 1869, the youthful, inevitably romantic fifteen-song cycle tells the story of a noble warrior, a Neapolitan princess and a sultan’s daughter.
London Mozart Players - Parry: Scenes from Shelley's Prometheus Unbound, Blest Pair of Sirens (2023) [Digital Download 24/96]

Sarah Fox, Dame Sarah Connolly, David Butt Philip, Neal Davies, London Mozart Players & William Vann - Parry: Scenes from Shelley's Prometheus Unbound, Blest Pair of Sirens (2023)
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 70:47 minutes | 1,2 GB
Classical | Label: Chandos Records, Official Digital Download

Hubert Parry (1848-1918), regarded by many (including Edward Elgar) as the finest English composer since Purcell, and as the father of the modern English tradition, is best known for his hymn Jerusalem (immortalised by the Women’s Institute and English cricket supporters alike!). His anthem I was glad, written for the coronation of Edward VII, in 1902, has been used also at the coronations of George V, Elizabeth II, and Charles III (who is a proclaimed fan of Parry’s music).
VA - Parry: Scenes from Shelley's Prometheus Unbound, Blest Pair of Sirens (2023)

VA - Parry: Scenes from Shelley's Prometheus Unbound, Blest Pair of Sirens (2023)
WEB FLAC (tracks, digital booklet) - 323 MB | MP3 CBR 320 kbps - 172 MB
1:10:41 | Classical | Label: Chandos

Hubert Parry (1848 - 1918), regarded by many (including Edward Elgar) as the finest English composer since Purcell, and as the father of the modern English tradition, is best known for his hymn Jerusalem (immortalised by the Women’s Institute and English cricket supporters alike!). His anthem I was glad, written for the coronation of Edward VII, in 1902, has been used also at the coronations of George V, Elizabeth II, and Charles III (who is a proclaimed fan of Parry’s music). He taught composition at London’s Royal College of Music from 1883 to 1895, when he succeeded Sir George Grove as director of the College, a post he held until his death.