Brain Damage Isogashi Dub

The Dark Side of the Moon is the eighth studio album by English rock band Pink Floyd, released on 1 March 1973 by Harvest Records. It built on ideas explored in Pink Floyd's earlier recordings and performances, but without the extended instrumentals that characterised their earlier work. A concept album, its themes explore conflict, greed, time, and mental illness, the latter partly inspired by the deteriorating health of founding member Syd Barrett, who left in 1968.

The Later Years 1987-2019 is an explicit sequel to The Early Years 1965-1972, the 2016 box set that rounded up nearly all the loose ends and detours from the first era of Pink Floyd, the fearless period when they were figuring out what the band could do. The Later Years covers a different time, when their most pressing challenge was demonstrating that they could thrive artistically and commercially without the presence of Roger Waters, the bassist/songwriter who charted Floyd's direction between 1973's Dark Side of the Moon and 1983's The Final Cut…

Works is a compilation album of songs by British progressive rock band Pink Floyd, released in 1983. It features a variety of material, including two of the band's early singles, "Arnold Layne" and "See Emily Play," alternative mixes of tracks from The Dark Side of the Moon and the studio outtake "Embryo."

By condensing the sonic explorations of Meddle to actual songs and adding a lush, immaculate production to their trippiest instrumental sections, Pink Floyd inadvertently designed their commercial breakthrough with Dark Side of the Moon. The primary revelation of Dark Side of the Moon is what a little focus does for the band. Roger Waters wrote a series of songs about mundane, everyday details which aren't that impressive by themselves, but when given the sonic backdrop of Floyd's slow, atmospheric soundscapes and carefully placed sound effects, they achieve an emotional resonance. But what gives the album true power is the subtly textured music, which evolves from ponderous, neo-psychedelic art rock to jazz fusion and blues-rock before turning back to psychedelia. It's dense with detail, but leisurely paced, creating its own dark, haunting world…

Unbeknownst to the London massive, deep within the English countryside lie a number of brilliant music producers. One such unfashionable but extremely talented artist is Ott, best friend of Simon Posford aka Hallucinogen and previous editor of the Shpongle albums. Hallucinogen's stuff would lend itself well to dub - and this proves you right. It's a dub circus with flecks of the original souping in and out, and the effect is truly psychedelic. Spiritual Antiseptic uses the original's cutup vocals with a more traditional dub arrangement - melodica, clattering drums, and reverb to hell and back. Twisting and turning, the way the main LSD melody surfaces is pure sonic poetry, and certainly gets those brain chemicals flowing. Finally Angelic Particles - with swirling vocals and sweet guitar (specially recorded by Simon Posford) creating a sort of timeless dub full of rich psychedelic harping back to Floyd, Gong and the Grateful Dead…