Pete Rodriguez was part of a wave of Nuyoricans who came of age in the early '60s twilight of the mambo era. The boogaloo sound was just starting to bubble up in El Barrio (East Harlem) amongst this generation of Nuyorican bandleaders, and Rodriguez's group was on the very front line, alongside the Joe Cuba Sextet and Ricardo 'Richie' Ray. Pete had one of the great boogaloo bands of all time; he truly generated high-calibre energy on the dance floor.
Paavo Järvi’s remarkably fresh-sounding Tchaikovsky Pathétique emphasizes the music’s lyricism and singing line, with flowing tempos and unforced, natural phrasing throughout. Accordingly the strings predominate in this performance, and the Cincinnati players make beautiful sounds, especially in the outer movements. Järvi treats the first movement’s “big tune” as a love song that grows more impassioned with each appearance. On the other hand he leads a quite angry development section, with biting brass ratcheting up the tension. The second movement goes at a lively, dancing pace, while Järvi’s quick-stepping third-movement march generates real excitement in its second-half, with brilliant playing by the Cincinnati brass.
The Top 100 '80s Rock Albums span a series of genres as startling and varied as the era's neon-flecked fashions.No one was immune to the early-decade emergence of new wave, from up-and-coming acts to legacy groups – many of whom began incorporating the then-new sound into their bedrock approach.Meanwhile, classic rock and subsequently metal began a transformation into mass acceptance when the edges were smoothed out to form arena rock and hair metal, respectively. The arrival of roots, thrash, and world music influences kept things interesting, along the way. All of it made selecting the period's best releases both intriguing and deeply challenging.Check out the list below, as Ultimate Classic Rock takes a chronological look at the Top 100 '80s Rock Albums.
Director Gareth Edwards (Monsters) tapped award-winning French film composer Alexandre Desplat (The Curious Case of Benjamin Button, Philomena, Harry Potter and the Deathly Hallows) to provide the score for his 2014 reboot of Godzilla, the world's most famous Kaiju, and Desplat delivers with an efficient, melodic, and undeniably bombastic brass- and percussion-heavy blast of summer blockbuster-appropriate clamor that capably juggles both emotion and destruction, while managing to hold its own against the big lizard's iconic, air-raid siren of a roar.