Brenda & The Tabulations

The liner notes that accompany this collection note that '70s soul music has never really gotten its due. One could argue that point for days, but hubris aside, there's no denying that Can You Dig It pays serious homage to the golden years of American soul. The new box set contains 6 CDs and 136 cuts, 65 of which hit the No. 1 spot on the R&B and/or pop charts. As you'd expect with a project that mines such a rich era (the CDs are compiled chronologically), it represents a who's who of stars. Among the notables: Marvin Gaye, Sly Stone, Curtis Mayfield, the Spinners, the O'Jays, the Staple Singers, James Brown, Chairmen of the Board, Laura Lee, Freda Payne, and Jean Knight. Lesser lights also get to shine, i.e., El Chicano, who deliver the salsafied hippie anthem "Tell Her She's Lovely." But let's be honest–the selling point is the hits, and from the uplifting "Ooh Child" to the sassy "Want Ads," if you grew up in the '70s (hands up), then these tracks are beloved. Sure, the hard-core fan will probably wish for more obscurities, and the exclusion of Stevie Wonder, Aretha Franklin, and George Clinton is troublesome, but anyone wanting an at-home jukebox loaded with classic R&B will certainly dig this.

As soul music moved into the early '70s, it became dominated by smoother sounds and polished productions, picking up its cues from Motown, Chicago soul, and uptown soul. By the beginning of the decade, soul was fracturing in a manner similar to pop/rock, as pop-soul, funk, vocal groups, string-laden Philly soul, and sexy Memphis soul became just a few of the many different subgenres to surface. Often, the productions on these records were much more polished than '60s productions, boasting sound effects, synthesizers, electric keyboards, echoes, horn sections, acoustic guitars, and strings.

Rhino's expansive six-CD box set of 1970s soul called Can You Dig It?, this wonderfully sequenced collection stands as an impressive survey of the genre in its own right, running the gamut from Al Green and Marvin Gaye to the Chi-Lites, Sly Stone, the Staple Singers, and Earth, Wind & Fire and beyond with nary a slack track in sight. It may technically be a sampler, but in being so it doesn't have the luxury of pausing for breath or historical reflection, which means this compilation, sampler or not, delivers bang for the buck from end to end.

Gathering the first two long-players credited to Smokey Robinson & the Miracles, this two-fer compiles the 1965 and 1967 releases Going to a Go-Go and Away We a Go-Go. Admittedly, these are early entries into the voluminous Smokey catalog; artistically, however, both albums reflect the infinite talents of Robinson and company. Additionally, they are a testament to the cohesive, timeless, and fully developed sounds emanating from the inhabitants of Hitsville USA and the originators of the self-proclaimed Sound of Young America. Both LPs included copious hits, including "My Girl Has Gone," "Ooo Baby Baby," "Going to a Go-Go," "(Come 'Round Here) I'm the One You Need," and "Tracks of My Tears."