German pop group Fool's Garden formed in 1991, comprising singer Peter Freudenthaler, guitarist Volker Hinkel, bassist Thomas Mangold, keyboardist Roland Röhl and drummer Ralf Wochele. Debuting in 1993 with the album Once in a Blue Moon, two years later Fool's Garden issued their sophomore effort Dish of the Day, scoring an Asian chart hit with "Lemon Tree."
No-Man's Tim Bowness is part of this project along with Pendragon's Fudge Smith on drums. Steven Wilson mixed a couple of tracks. This is spacey, atmospheric music with lots of sax and mellotron.
Take 60's/70's influences such as early Genesis, early Floyd, Soft Machine and VDGG and mix them with Rain Tree Crow and King Crimson then throw in some Faust and Greg Lake for good measure. The album moves from delicately sung ballads that are beautiful in the extreme to music that takes a lot of work to gain the benefit from it.
APRIL FOOL was formed in early 1988 by drummer Walt "Wiggy" Kaye, who enlisted guitarist Chris Rocus, bassist Chris Mock and vocalist Dave Stradling. First order of business was a four song demo recorded at Dave Ivory's studio, Iris Sound. APRIL FOOL then hit the club circuit hard while the song "Bad Boy Willie" was receiving local Philadelphia airplay, resulting in the band's live concert following starting to grow. By the fall of 1988 Mock decided to leave the band and was replaced by bassist Roberto Lombardi. At this point the band enjoyed interest from several major labels. During the negotiations in early 1989, Rocus would be replaced by guitarist George Smith. Three weeks after the lineup changes, APRIL FOOL was back out playing live to even bigger crowds up and down the east coast.
APRIL FOOL was formed in early 1988 by drummer Walt "Wiggy" Kaye, who enlisted guitarist Chris Rocus, bassist Chris Mock and vocalist Dave Stradling. First order of business was a four song demo recorded at Dave Ivory's studio, Iris Sound. APRIL FOOL then hit the club circuit hard while the song "Bad Boy Willie" was receiving local Philadelphia airplay, resulting in the band's live concert following starting to grow. By the fall of 1988 Mock decided to leave the band and was replaced by bassist Roberto Lombardi. At this point the band enjoyed interest from several major labels. During the negotiations in early 1989, Rocus would be replaced by guitarist George Smith. Three weeks after the lineup changes, APRIL FOOL was back out playing live to even bigger crowds up and down the east coast.
25 Miles to Kissimmee is the sixth album by German pop band Fool's Garden, released in 2003. It is also the last album featuring all of the original members of the band. The title track is about a girl who attempts to seduce her married passenger while she is driving them 25 miles (40 km) into a city for unspecified reasons.
Henry Fool’s Men Singing is an ambitious four track instrumental album featuring members of No-Man, I Monster and Roxy Music. Sometimes playful, sometimes intense, sometimes eerie and ethereal, Men Singing is equal parts dynamic drums, spiky guitars and atmospheric washes of fluttering flutes and vintage keyboards.
Produced and arranged by band founders keyboardist Stephen Bennett and guitarist Tim Bowness (Steven Wilson’s creative partner in No-Man), the album has been mixed by Jarrod Gosling (I Monster/Regal Worm), who also contributes Mellotron, glockenspiel and the wonderfully surreal artwork…
Ben Webster was considered one of the "big three" of swing tenors along with Coleman Hawkins (his main influence) and Lester Young. He had a tough, raspy, and brutal tone on stomps (with his own distinctive growls) yet on ballads he would turn into a pussy cat and play with warmth and sentiment. After violin lessons as a child, Webster learned how to play rudimentary piano (his neighbor Pete Johnson taught him to play blues). But after Budd Johnson showed him some basics on the saxophone, Webster played sax in the Young Family Band (which at the time included Lester Young). He had stints with Jap Allen and Blanche Calloway (making his recording debut with the latter) before joining Bennie Moten's Orchestra in time to be one of the stars on a classic session in 1932…