Bringing Columbia to

Archive release from the rock/pop icon. Dion had an album ready for release at Columbia in 1965, but it never made it out of the gate until now! Recorded fifty-two years ago, it is as atom-smashing now as it was when Dion rolled tape with producer Tom Wilson at Columbia Studios in '65. Why was this album pulled from release and shelved? For that story, you'll have to consult Scott Kempner's illuminating liner notes here. Dion would be back on the Laurie label again a few years later, but this Columbia recording captures the doo-wop icon in a mid-'60s folk-rock state of mind, doing Bob Dylan's "It's All Over Now, Baby Blue," "Farewell" and "Baby I'm in the Mood for You" plus Tom Paxton's "I Can't Help but Wonder Where I'm Bound" and the original songs "Kickin' Child" (co-written with Buddy Lucas and released as a single in '65), "Now" (featuring Al Kooper), "My Love," "Wake Up Baby," "Knowing I Won't Go Back There" and more (several of these songs were released on prior outtakes collections and retrospectives, some with different orchestrations). This is the first time that all these tracks are being issued together as the originally intended Dion album. A lost chapter in the epic story of this legendary rock 'n' roller from the Bronx finally surfaces, some 52 years later.

Eclectic, diverse or just plain odd - three descriptions to describe the coupling of Carl Orff, Ludwig van Beethoven and George Gershwin on a single release. Of course, in reality what we have are three different LP releases of modest length from the early/mid 70's all conducted by the young Michael Tilson-Thomas with his presence on the podium the single unifying thread.

Eclectic, diverse or just plain odd - three descriptions to describe the coupling of Carl Orff, Ludwig van Beethoven and George Gershwin on a single release. Of course, in reality what we have are three different LP releases of modest length from the early/mid 70's all conducted by the young Michael Tilson-Thomas with his presence on the podium the single unifying thread.

Bringing It All Back Home is the fifth studio album by the American singer-songwriter Bob Dylan, released in April 1965 by Columbia Records. In a major transition from his earlier sound, it was Dylan's first album to incorporate electric instrumentation, which caused controversy and divided many in the contemporary folk scene. The album is split into two distinct halves; the first half of the album features electric instrumentation, in which on side one of the original LP, Dylan is backed by an electric rock and roll band. The second half features mainly acoustic songs. The album abandons the protest music of Dylan's previous records in favor of more surreal, complex lyrics. Bringing It All Back Home has been described as one of the greatest albums of all time by multiple publications. In 2003, it was ranked number 31 on Rolling Stone's list of the "500 Greatest Albums of All Time", later repositioned to number 181 in the 2020 edition.

Bringing It All Back Home is the fifth studio album by the American singer-songwriter Bob Dylan, released in April 1965 by Columbia Records. In a major transition from his earlier sound, it was Dylan's first album to incorporate electric instrumentation, which caused controversy and divided many in the contemporary folk scene. The album is split into two distinct halves; the first half of the album features electric instrumentation, in which on side one of the original LP, Dylan is backed by an electric rock and roll band. The second half features mainly acoustic songs. The album abandons the protest music of Dylan's previous records in favor of more surreal, complex lyrics. Bringing It All Back Home has been described as one of the greatest albums of all time by multiple publications. In 2003, it was ranked number 31 on Rolling Stone's list of the "500 Greatest Albums of All Time", later repositioned to number 181 in the 2020 edition.

Jefferson Starship were among the most successful arena rock bands of the 1970s and early '80s. Guitarist Paul Kantner and singer Grace Slick started the group after the disbandment of Jefferson Airplane, adding former Airplane vocalist Marty Balin not much later. Red Octopus, their second album, established Jefferson Starship as a mainstream rock powerhouse. It topped Billboard's album chart and its smooth single "Miracles" gave the band a number three hit that crossed over to the adult contemporary charts. Many Airplane fans decried the Starship's more mainstream musical direction, especially after Airplane singers Grace Slick and Marty Balin departed in 1978. But with shifting personnel still anchored by Kantner and bassist David Freiberg, the group managed to please its new fans, and some old ones, over a period of a decade before shifting gears into even more overtly pop territory and changing names again to simply Starship. Kantner revived Jefferson Starship in the '90s, bringing Freiberg back into the fold in the mid-2000s, and the bassist kept the band going into the 2020s after the 2016 death of Kantner. Jefferson Airplane, the seminal San Francisco psychedelic rock band of the '60s noted for its hits "Somebody to Love" and "White Rabbit," began to fragment in the early '70s.