With a band patched together from the remnants of Mott the Hoople, British Lions is all swagger and little substance; music performed as though it's very important and vital, but with little in the way of memorable tunes or attitude. That's the late-'70s hard rock mainstream for you, and it's easy to imagine these guys slogging it out in arenas as a support act, which in fact they did for Blue Öyster Cult and UFO…
This was the last of the six albums John Mayall originally made for Blue Thumb/ABC Records between 1975 and 1978, about which he has said, "ABC released six of my albums as a tax write-off. A week after they were released you couldn't find them in any store." It's a live album on which Mayall fronts a quartet consisting of guitarist James Quill Smith (who sings lead on several songs), bassist Steve Thompson, and drummer Soko Richardson. The approach is rock-oriented, and the set list includes such Bluesbreakers favorites as Mose Allison's "Parchman Farm," and Freddie King's "Hideaway" (taken at a frantic tempo), along with the usual complement of generic Mayall originals, among them, a remake of "The Bear," from Blues From Laurel Canyon.