Brooklyn 99

Brooklyn Funk Essentials have been fusing soul, hip hop, spoken word, jazz and, of course, funk for 25 years and over 6 albums, the most recent ’Stay Good’ is released on September 20th. During this time they have made a name for themselves as electric performers, exhilarating their loyal and broad fanbase with performances on every continent. Established in the early ‘90s by Arthur Baker and Lati Kronlund, Brooklyn Funk Essentials were regulars of New York’s vibrant club scene when their debut album, ‘Cool & Steady & Easy’, hit the shelves. Released by pioneering funk and electronic taste-makers Dorado Records and combining classic funk’s raw, mind-bending basslines, peak-era disco’s euphoric vocals and early hip-hop’s observational lyricism, the album and its follow up, ‘Make Em Like It’ topped charts around the world. Fast forward to 2019 and following 2015’s reunion with Dorado and the success of ‘Funk Ain’t Ova’, the band are set to release ‘Stay Good’, a fun, funky and fresh collection of tracks featuring throughout are the powerful and soulful vocals of Alison Limerick, now a full time member of the band. Lati wrote and produced her debut hit ‘Where Love Lives’.

Brooklyn Funk Essentials have been fusing soul, hip hop, spoken word, jazz and, of course, funk for 25 years and over 6 albums, the most recent ’Stay Good’ is released on September 20th. During this time they have made a name for themselves as electric performers, exhilarating their loyal and broad fanbase with performances on every continent. Established in the early ‘90s by Arthur Baker and Lati Kronlund, Brooklyn Funk Essentials were regulars of New York’s vibrant club scene when their debut album, ‘Cool & Steady & Easy’, hit the shelves. Released by pioneering funk and electronic taste-makers Dorado Records and combining classic funk’s raw, mind-bending basslines, peak-era disco’s euphoric vocals and early hip-hop’s observational lyricism, the album and its follow up, ‘Make Em Like It’ topped charts around the world. Fast forward to 2019 and following 2015’s reunion with Dorado and the success of ‘Funk Ain’t Ova’, the band are set to release ‘Stay Good’, a fun, funky and fresh collection of tracks featuring throughout are the powerful and soulful vocals of Alison Limerick, now a full time member of the band. Lati wrote and produced her debut hit ‘Where Love Lives’.

Brooklyn Funk Essentials have been fusing soul, hip hop, spoken word, jazz and, of course, funk for 25 years and over 6 albums, the most recent ’Stay Good’ is released on September 20th. During this time they have made a name for themselves as electric performers, exhilarating their loyal and broad fanbase with performances on every continent. Established in the early ‘90s by Arthur Baker and Lati Kronlund, Brooklyn Funk Essentials were regulars of New York’s vibrant club scene when their debut album, ‘Cool & Steady & Easy’, hit the shelves. Released by pioneering funk and electronic taste-makers Dorado Records and combining classic funk’s raw, mind-bending basslines, peak-era disco’s euphoric vocals and early hip-hop’s observational lyricism, the album and its follow up, ‘Make Em Like It’ topped charts around the world. Fast forward to 2019 and following 2015’s reunion with Dorado and the success of ‘Funk Ain’t Ova’, the band are set to release ‘Stay Good’, a fun, funky and fresh collection of tracks featuring throughout are the powerful and soulful vocals of Alison Limerick, now a full time member of the band. Lati wrote and produced her debut hit ‘Where Love Lives’.

On this new recording from Orange Mountain Music, pianist Paul Barnes and renowned string quartet Brooklyn Rider collaborate on a new album of music by Philip Glass including two world premiere recordings of major works. The album begins with Philip Glass's 2018 Piano Quintet 'Annunciation' based on the 'Hymn of the Annunciation' from the Greek Orthodox tradition.

Before there was Saturday Night Fever there was underground disco. DJs across America went out and found the music to play; dancers went out and found the clubs. At this point, in the early seventies, the disco was the venue and not a genre of music.