It took Ben Harper nine years to reconvene the Innocent Criminals for 2016's Call It What It Is, but that's not necessarily an abnormally long time for this crew: eight years separated its 2007 predecessor Lifeline from their 2009 debut, Burn to Shine. Harper formed the Innocent Criminals partially with the intention that they'd be his Band of Gypsies, a support system for him to indulge in his Jimi Hendrix daydreams, but they wound up being an even better outlet for his soulful side. Despite "Pink Balloon" and the ham-fisted opener "When Sex Was Dirty" – bluesy bluster that pulls this closer to Lenny Kravitz than Hendrix – Call It What It Is is largely devoted to this blissed-out, mellow vibe.
Fun Lovin' Criminals are the sound of cigarettes being lit. Ever since England embraced the New York band as its own, the Criminals have tailored their sound like you would a good suit – tweaking the seams of the grooves for continued late-night appeal. Sly frontman Huey's bedroom voice slithers with a threatening tone; you can't trust this handsome criminal, but damn does he throw great parties. Similarly, most of Welcome to Poppy's is like watching a 1968 Lincoln Continental drive by in slow motion – nice and easy, and ultra cool. If this is all starting to sound like the treatment for Guy Ritchie's next East End crime caper, then the Criminals have likely done their job. "Stray Bullet" sells the same street-level politics as Moby's "South Side," but sexes it up with the disco thump of Stereo MC's' "Connected." "Lost it All" stylizes East Coast hardcore by marrying its gritty guitar aggression to more calculated whispering from Huey – that this is successful at all proves the instrumental chops that stabilize FLC's affected veneer.
Much like G. Love & Special Sauce, the New York trio known as Fun Lovin' Criminals hit the alternative airwaves with a blend of hip-hop beats, alternative style, and bluesy rhythms. The group was formed in 1993 by bassist Brian Leiser (Fast) and drummer Steve Borgovini, who had met in Syracuse while going to school; the pair formed a techno group but later moved back to New York City, where they hooked up with vocalist/guitarist Huey Morgan.
Ben Harper & the Innocent Criminals entered Gang Studio in Paris in November of 2006, immediately after finishing a nine-month world tour that ended with eight weeks in Europe. They loaded in their gear, rehearsed, and recorded directly to analog tape - i.e., without the aid of computers or Pro Tools - and mixed in seven days. The result is a deeply focused, loose, and laid-back record that is musically compelling and deeply soulful, and contains some of Harper's finest songs to date. At this time, the Innocent Criminals are drummer Oliver Charles, percussionist Leon Mobley, Juan Nelson on bass, guitarist Michael Ward, and Jason Yates plays keyboards, with a pair of backing vocalists, Michelle Haynes and Rovleta Fraser. Clocking in at just over 40 minutes, this is a brief record for Harper, but it serves him well. The music is a seamless meld of soulful folk, gospel, countryish rock, and blues…